Bøger af David Harsent

Skin is David Harsent's visionary new collection, consisting of ten dramatic sequences of poems, which, like a planetary system, operate on one another in a dynamic assemblage of propulsion and pull.

A Broken Man in Flower presents new versions of work by one of the most significant Greek poets of the last century, translated by one of the UK's most renowned contemporary poets.The life of Yannis Ritsos was, to say the least, troubled. From an early age, he was dogged by the tuberculosis that killed his mother and brother. His father and sister suffered breakdowns and spent time in institutions. His poem Epitaphios (1936), a lament for a young man shot dead by the police during a tobacco workers' strike, was publicly burned by the Metaxas regime and his books banned. Throughout his life he wa repeatedly persecuted, arrested and placed under house arrest by the oppressive Greek authorities.The violence and tyranny of dictatorship is often fractured by the surreal. In the poems collected here, written by Ritsos while in prison and under house arrest, that fracture in perception is a wound. A Broken Man in Flower has an introduction by John Kittmer and includes the text of an illuminating and vivid letter sent by Ritsos to his publisher in 1969 while under house arrest on Samos describing his life - and the lives of Greeks - under the repressive rule of the Colonels.Harsent's versions of Ritsos' poems express the revolutionary and experimental nature of his work while also remaining accurate translations from the Greek.

It is 00:00 and the full of the night yet to come. A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives.

Pandemia being a land or planet whose name derives from the word pandemic. This is an anthology of brilliant work by both established and emerging poets from across the English-speaking world, from Australia to India, Europe to North America. With its accounts of life changed utterly, lives abruptly finished, testimonies of the poignancy, the loneliness and sometimes madness of lockdown, this book is an essential statement of record on the dark times we are living through.

'They belong to each other in mood, in tone and by way of certain images and words that form a ricochet of echoes - not least the word "salt".' Mineral, eerie, sensory, the poems in the collection are experienced as encounters - some with the surety of daylight, others in dream-life - that refresh with the turning of each page.

A sequence of 25 poems which charts a circular journey: 12 of them trace the outward journey, the 13th is pivotal, and the remainder bring the traveller home. The subject of the quest is thanatology, and in particular the author is deeply curious about the business of his own death.

Among the poems that open Night, David Harsent's follow-up to his Forward Prize-winning collection Legion, is a startling sequence about a garden - but a garden unlike any other. It sets the tone for a book in which the sureties of daylight become uncertain: dark, unsettling narratives about what wakes in us when we escape our day-lit selves to visit a place where the dream-like and the nightmarish are never far apart. The book culminates in the seductive and brilliantly sustained 'Elsewhere', a noirish, labyrinthine quest-poem in which the protagonist is drawn ever onward through a series of encounters and reflections like an after-hours Orpheus, hard-bitten and harried by memory.

In an illustrious career, David Harsent has published eight collections of poetry, from A Violent County in 1969, to Legion, winner of the Forward Prize in 2005. This selection, made by the author himself, draws upon the full arc of his career and offers an outstanding concentration of, and introduction to, the full range and powers of this distinguished poet.

The second sequence, 'Lepus', extends an interest in the hare as trickster, traceable elsewhere in David Harsent's work, and most recently in 'The Woman and the Hare', a piece commissioned by the Nashe Ensemble, set to music by Harrison Birtwistle, and first performed at the South Bank Centre in 1999.