Bøger af David J. Getsy

"Scott Burton (1939-89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to nonverbal body language and queer behavior in public space-most importantly, street cruising-as a foundation for rethinking the audiences and possibilities of art. Throughout the decade, he made complex works about bodies and how they communicate. Extending his performances about cruising, sexual signaling, and power dynamics, Burton also created functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton's deep engagements with postminimalism, performance, feminism, behavioral psychology, design history, and queer culture. A restless and wide-ranging artist, Burton transformed his commitment to gay liberation into a unique practice of performance, sculpture, and public art that aspired to be anti-elitist, embracing of differences, and open to all. Filled with stories of Burton's life in New York's art communities, Queer Behavior makes a case for Burton as one of the most significant out queer artists to emerge in the wake of the Stonewall uprising and, in so doing, provides a rich account of the interwoven histories of queer art and performance art in the 1970s"--

Late nineteenth-century Britain experienced an explosion of interest in sculpture. Sculptors of the "New Sculpture" movement sought a new direction and a modern idiom for their art. This book analyzes for the first time the art-theoretical concerns of the late-Victorian sculptors, focusing on their attitudes toward representation of the human body. David J. Getsy uncovers a previously unrecognized sophistication in the New Sculpture through close study of works by key figures in the movement: Frederic Leighton, Alfred Gilbert, Hamo Thornycroft, Edward Onslow Ford, and James Havard Thomas.These artists sought to activate and animate the conventional format of the ideal statue so that it would convincingly stand in for both a living body and an ideal image. Getsy demonstrates the conceptual complexity of the New Sculptors and places their concerns within the larger framework of modern sculpture.