Bøger af David Seed

Essays on the links between film and fiction, and their mutual influence.

This study examines the US fiction and related films which makes a series of interventions in the cultural debate over the threat of nuclear terrorism.

This study of literary and cinematic representations of brainwashing during the Cold War era reviews science fiction, Korean War fiction, and The Manchurian Candidate film. It explores how views on brainwashing changed from an external threat to American values to an internal threat against individual American liberties by the US government.

An engrossing analysis of the fiction of nuclear war In Pat Frank's 1959 novel Alas, Babylon, the character Helen says of her children: "All their lives, ever since they've known anything, they've lived under the shadow of war--atomic war. For them the abnormal has become normal." The threat of nuclear annihilation was a constant source of dread during the Cold War, and in Under the Shadow, author David Seed examines how authors and filmmakers made repeated efforts in their work to imagine the unimaginable. Seed discusses classics of the period like Nevil Shute's On the Beach, but he also argues for recognition of less-known works such as Walter M. Miller's depiction of historical cycles in A Canticle for Leibowitz, Bernard Wolfe's black comedy of aggression in Limbo, or Mordecai Roshwald's satirical depiction of technology running out of human control in Level 7. Seed relates these literary works to their historical contexts and to their adaptations in film. Two prime examples of this interaction between media are the motion pictures Fail-Safe and Dr. Strangelove, which dramatize the threat posed by the arms race to rationality and ultimate human survival. Seed addresses the attempts made by characters to remap America as a central part of their efforts to understand the horrors of the war. A particular subset of future histories is also examined: accounts of a Third World War, which draw on the conventions of military history and reportage to depict probable war scenarios. Under the Shadow concludes with a discussion of the recent fiction of nuclear terrorism.

Seed, a reader in the department of English at the University of Liverpool, investigates political inflections in American science fiction during the Cold War. Nuclear holocaust, Russian invasion, and the perceived rise of totalitarianism in American society are explored in such science fiction nar