Bøger af David (Victoria University of Wellington) Norton

The King James Bible was the result of an extraordinary effort over nearly a century to make many good English translations and turn them into what the translators called 'one principal good one, not justly to be excepted against'. David Norton traces the work of Tyndale and his successors, analysing the translation and revisions of two representative passages. His fascinating new account follows in detail the creation of the KJB, including attention to the translators' manuscript work. He also examines previously unknown evidence such as the diary of John Bois, the only man who made notes on the translation. At the centre of the book is a thorough discussion of the first edition. The latter part of the book traces the printing and textual history of the KJB and provides a concise account of its changing scholarly and literary reputations.

David Norton re-edited the King James Bible for Cambridge, and this 2005 book arose from his intensive work on that project. Here he shows how the text of the most important Bible in the English language was made, and how, for better and for worse, it changed in the hands of printers and editors until, in 1769, it became the text we know today. Using evidence as diverse as the manuscript work of the original translators, and the results of extensive computer collation of electronically held texts, Norton has produced a scholarly edition of the King James Bible for the new century that will restore the authority of the 1611 translation. This book describes this fascinating background, explains Norton's editorial principles and provides substantial lists and tables of variant readings. It will be indispensable to scholars of the English Bible, literature, and publishing history.

Revised and condensed from David Norton's acclaimed A History of the Bible as Literature, this book, first published in 2000, tells the story of English literary attitudes to the Bible. At first jeered at and mocked as English writing, then denigrated as having 'all the disadvantages of an old prose translation', the King James Bible somehow became 'unsurpassed in the entire range of literature'. How so startling a change happened and how it affected the making of modern translations such as the Revised Version and the New English Bible is at the heart of this exploration of a vast range of religious, literary and cultural ideas. Translators, writers such as Donne, Milton, Bunyan and the Romantics, reactionary Bishops and radical students all help to show the changes in religious ideas and in standards of language and literature that created our sense of the most important book in English.

The first volume of this magisterial two-volume work provides the only full account of how people have thought of the Bible and Bible translations from biblical times to the end of the seventeenth century.