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Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done.
In this invitation to reflect on the power of performance, Diana Taylor explores the multiple and overlapping meanings of performance, showing how it can convey everything from artistic, economic, and sexual performance, to providing ways of understanding how race, gender, identity, and power are performed.
Looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and the focus of this book is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people.
Provides an understanding of the vital role of performance in the Americas. This title shows how the repertoire of embodied memory - conveyed in gestures, the spoken word, movement, dance, song, and other performances - offers alternative perspectives to a reconsideration of historical processes of transnational contact.
This is the true life story of a four-year-old little girl who took over seven thousand volts of electricity thru her body. Doctors told her parents to plan her funeral because she would not survive a week. Fifty years later, this is the story of my "life unarmed."
Latin American theatre is among the most innovative in the world today. Theatre of Crisis is an important source of information for Latin Americanists as well as theatre specialists and literary critics interested in this virtually unexplored field.
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