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Didier Maleuvre argues that works of art in Western societies from Ancient Greece to the interconnected worlds of the Digital Age have served to rationalize and normalize an engagement with bourgeois civilization and the city.
The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this title, the author journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits - of life, knowledge, existence, and death.
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