Bøger af Edmond About

Réimpression inchangée de l'édition originale de 1874.

A scathing critique of the Vatican's political power in 19th century Italy, written by French author Edmond About. This book examines the complex power struggles between the papacy, the Italian state, and the broader European powers, and offers a trenchant analysis of the corruption and hypocrisy of the Catholic Church during this period.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

La Grèce contemporaine est un livre qui décrit la Grèce telle qu'elle est à la fin du XIXe siècle. L'auteur présente la vie quotidienne, la culture, l'histoire et les traditions de la Grèce. La Grèce contemporaine est une lecture recommandée pour tous ceux qui s'intéressent à la Grèce et à son histoire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cette comédie en un acte d'Edmond About est un classique de la littérature française. L'histoire suit un écrivain débutant qui rencontre un homme mystérieux dans un café parisien. L'homme propose à l'écrivain d'écrire une histoire sur un assassin, mais les choses tournent mal lorsque l'histoire prend vie devant leurs yeux. Cette pièce est à la fois une comédie divertissante et une satire acerbe de la vanité de l'écriture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ce livre est un récit de voyage fascinant, décrivant le voyage de Pontoise à Stamboul (Constantinople) en passant par la Turquie et la Grèce. Il offre une vision vivante et colorée de la vie de l'époque dans cette partie du monde.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Immerse yourself in the cultural and historical richness of Rome with this engaging travelogue by Edmond About. From the majestic ruins of the ancient city to the bustling energy of modern Rome, author About paints a vivid and detailed portrait of this eternal metropolis. Whether you're planning a trip to Rome, or simply wish to explore its wonders from afar, this book offers a delightful journey through the city's storied history and vibrant present.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Le Decameron Du Salon De Peinture est un livre �����crit par Edmond About en 1881. Le livre explore le monde de l'art et de la peinture ������ travers une s�����rie d'histoires courtes. Chaque histoire est centr�����e autour d'un tableau expos����� dans un salon de peinture et explore les histoires et les motivations des artistes qui ont cr���������� ces �����uvres d'art. Le livre est un regard fascinant sur le monde de l'art du 19�����me si�����cle et offre une perspective unique sur les artistes et leur travail. Le Decameron Du Salon De Peinture est un livre ������ la fois instructif et divertissant pour les amateurs d'art et les lecteurs qui cherchent ������ en apprendre davantage sur l'histoire de l'art.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Germana," de Edmond About. Edmont About fue un escritor, dramaturgo, miembro de la Academia Francesa, critico de arte y periodista anticlerical frances (1828-1885). "Una familia arruinada...Una mujer enferma condenada a muerte...Y una extraña propuesta de matrimonio."

En La nariz de un notario nos tropezamos con Alfred L'Ambert, un arrogante y vanidoso notario parisino que se dedica a galantear con bailarinas de opereta y presumir de sus ingresos en las fiestas de la buena sociedad. Un buen día seduce a una jovencita a la que ha pedido en matrimonio otro hombre; ante semejante canallada, se celebra un duelo con sables en el que la mala fortuna querrá que L'Ambert pierda buena parte de su apéndice nasal. De ahí en adelante, las desventuras del notario por recuperar la integridad de su rostro deparan momentos de hilaridad y tragedia a partes iguales.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

It was in the Papal States that I studied the Roman Question. I travelled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot. My first impressions, noted down from day to day without any especial object, appeared, with some necessary modifications, in the Moniteur Universel. These notes, truthful, somewhat unconnected, and so thoroughly impartial, that it would be easy to discover in them contradictions and inconsistencies, I was obliged to discontinue, in consequence of the violent outcry of the Pontifical Government. I did more. I threw them in the fire, and wrote a book instead. The present volume is the result of a year's reflection.

On the 3d of July, about six o'clock in the morning, I was watering my flowers. A young man entered the garden. He was blonde, beardless; he wore a German cap and sported gold spectacles. A long, loose woolen coat, or paletot, drooped in a melancholy way around his form, like a sail around a mast in a calm. He wore no gloves; his tan leather shoes had such large soles, that the foot was surrounded by a narrow flange. In the breast-pocket of his paletot, a huge porcelain pipe bulged half-way out. I did not stop to ask myself whether this young man was a student in the German Universities; I put down my watering-pot, and saluted him with: "Guten Morgen!"

"The good news you sent us from St. Petersburg caused us the greatest joy. Your poor mother had been ailing since winter, but I had not spoken to you about it from fear of making you uneasy while so far from home. As for myself, I had not been very well; and there was yet a third person (guess the name if you can!) who was languishing from not seeing you. But content yourself, my dear Leon: we have been recuperating more and more since the time of your return is almost fixed. We begin to believe that the mines of the Ural will not swallow up that which is dearer to us than all the world. Thank God! that fortune which you have so honorably and so quickly made will not have cost your life, nor even your health, since you tell us you have been growing fat off there in the desert. If you have not finished up all your business out there, so much the worse for you: there are three of us who have sworn that you shall never go back again.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Trente Et Quarante, Volumes 1-2; Trente Et Quarante; Edmond About; Volume 3 Of Mariages De Paris; Edmond About Edmond About Paetz, 1859

Vers 1855, à 32 ans, Alfred est le meilleur notaire de France. Un jour, il frappe le nez d'un ottoman: Ayvaz. Le lendemain, Ayvaz le provoque en duel et lui coupe le nez d'un coup de sabre. Le docteur Bernier coud le bras d'un quidam, Romagné, au visage d'Alfred pendant un mois. Celui-ci donne 100 louis à Romagné, mais il les dépense très vite.

Un jeune herboriste frais émoulu de l'Université est envoyé en Grèce par le jardin des Plantes pour un voyage d'études. Logé dans une modeste pension en compagnie des individus les plus divers, il a ouï dire que des bandits sillonnent les routes grecques mais n'imagine pas la palpitante et effrayante aventure où va le mener son amour de la science.En route pour le Parnès à la recherche de plantes rares, il se propose galamment d'accompagner deux Anglaises à cheval, une lady geignarde et sa fille délicate, dont il ne tarde pas à s'éprendre. À peine ont-ils chevauché quelque temps qu'une troupe de brigands leur barre la route. Leur chef n'est autre que le grand Hadgi-Stavros, surnommé le roi des montagnes . Célèbre pour s'être illustré pendant la guerre d'indépendance, mais aussi pour avoir pillé et brûlé des villages entiers, le vieux palicare tutoie les politiciens et fait trembler l'armée. Pris en otage par ces barbares, nos trois Occidentaux ne sont pas au bout de leurs surprises. Le prince des brigands, réputé pour sa cruauté, se révèle aussi un hôte courtois et un redoutable homme d'affaires. La vieille lady refusant obstinément de payer la rançon, leur séjour se prolonge. Mû par son amour pour la belle Mary-Ann, le naïf étudiant frôle la mort dans de multiples tentatives d'évasion, jusqu'à un revirement pour le moins inattendu.Ces aventures racontées comme une histoire vécue sont distrayantes par leur caractère échevelé, mais surtout par leur drôlerie: Le ton satirique donne du relief à l'actualité de l'époque, les situations les plus désespérées sont aussi les plus cocasses, et l'on devine la jubilation de l'auteur à manier l'art du bon mot, et à brosser les portraits pittoresques de personnages tout en contradictions.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Fellah: Souvenirs D'Égypt 2 Edmond About Hachette, 1870 History; Ancient; Egypt; Egypt; History / Ancient / Egypt; History / Middle East / Egypt

" Pour un certain nombre d'esprits, qui ne sont pas les moindres entre nous, le printemps ramène un vieux problème toujours nouveau parce qu'il n'est jamais résolu. Les plus honnêtes gens et les meilleurs citoyens, - car il en reste, - éprouvent un sentiment voisin de l'angoisse chaque fois que l'autorité les convie à une exposition des beaux-arts. Où le vulgaire ne voit qu'un spectacle à lorgner, quelques-uns trouvent l'occasion solennelle et obligatoire de dresser un bilan, de voir où nous en sommes, de comparer les pertes et les recrues de l'année, de constater le progrès ou la décadence de l'art français. C'est à ce public limité, mais d'autant plus considérable, que s'adresse la Revue. Nous n'avons pas la prétention de discuter, ou de décrire, ou même d'énumérer toutes les oeuvres passables que la France a produites dans l'espace d'un an; notre but est de déterminer la direction et de mesurer la vitesse des courants qui emportent l'art national vers le mieux ou vers le pire. Ainsi faisait l'illustre et regretté Gustave Planche; nous conserverons de notre mieux la tradition de cette philosophie, que M. Henri Delaborde et M. Maxime Du Camp ont pratiquée après le maître avec un remarquable talent. Celui qui a l'honneur de succéder à ces juges n'est pas nouveau dans la critique d'art; il s'efforcera de prouver qu'il n'y est plus jeune, et qu'il peut apprécier ses contemporains avec indépendance et modération, sans engouement ni camaraderie, mais sans cette âpreté qui distingue les fruits verts de l'esprit humain. Cependant nous ne nous chargeons pas de contenter tout le monde. Si toutes les vérités sont bonnes à dire poliment, toutes ne sont peut-être point agréables à entendre..."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Un Mariage De Paris: Comédie En Trois Actes 2 Edmond About, Émile de Najac Michel Lévy frères, 1861 Drama; Continental European; Drama / Continental European

" Ceci n'est ni un pamphlet ni même un livre politique. Si le lecteur y cherchait des considérations générales sur le gouvernement du pape, il serait trompé dans son attente. On a dit pour et contre le pouvoir temporel tout ce qu'il y avait à dire, et je n'ai ni assez d'autorité ni assez de liberté pour résumer les débats. J'ai joué un rôle trop actif, comme accusateur et comme accusé, pour que mon impartialité ne soit pas suspecte. La parole est au président, qui se tait. Il se pourrait d'ailleurs que le temps des discussions fût passé, comme le temps des sages conseils et des réformes utiles. La question romaine est assez bien élucidée pour que les moins clairvoyants distinguent le vrai et pour que les plus hésitants aient pris un parti. Les uns se sont décidés par des raisons de conscience, les autres par des raisons d'intérêt ou de politique; mais il est certain que l'action a succédé à la parole. Le travail que j'offre au public n'est donc pas autre chose qu'une étude littéraire sur les États du pape. J'ai réuni en corps de volume toutes les observations que j'avais notées durant un voyage de six mois. Ces matériaux ont aujourd'hui deux ans de tiroir. Il me semble pourtant qu'ils ont mûri plutôt que vieilli. Rome n'a pas changé sensiblement sous un régime qui se glorifie d'être immuable. Bologne et quelques autres villes n'ont fait que proclamer une révolution qui était accomplie depuis longtemps dans les esprits et dans les moeurs. Le jour où tous les sujets du saint-père auront les mêmes idées, les mêmes moeurs et les mêmes droits que les Bolonais en 1860, mon livre ne sera plus qu'une curiosité archéologique, mais je ne m'en plaindrai pas."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Los Casamientos De Paris Edmond About Impr. de J. Fernandez, 1865

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In 'The King of the Mountains, ' an enrapturing novel written by Edmond About, readers embark on a gripping journey through the majestic peaks of the Alps, where they are introduced to a cast of intriguing characters and witness the clash of traditionalism and modernity in a remote village. Set in the mid-19th century, the story revolves around the life of a charismatic and enigmatic mountaineer named Matteo Falcone. Known as the King of the Mountains, Matteo embodies the rugged spirit and independence of the Alpine people, who live in harmony with nature and their ancestral customs. The villagers, in awe of his strength and wisdom, regard him as their leader and protector. Through the eyes of various characters, including a young engineer named Arthur, a headstrong village girl named Angele, and the mysterious Matteo himself, the author skillfully explores themes of identity, love, and the inevitable clash between tradition and progress