Bøger af Edna Ferber

"Fanny Herself" by means of Edna Ferber is a charming novel that delves into the lifestyles of Fanny Brandeis, a younger Jewish woman developing up in the early twentieth century in Winnebago, Wisconsin. As Fanny navigates the challenges of adolescence and younger maturity, she grapples with questions of identity, ambition, and the pursuit of success in a rapidly converting world. From her humble beginnings working in her father's keep to her upward thrust as a success businesswoman within the male-dominated international of publishing, Fanny faces numerous obstacles and setbacks alongside the manner. Yet, with willpower, resilience, and an eager mind, she overcomes adversity to attain her dreams. Set against the backdrop of a vibrant immigrant network and the bustling streets of Chicago, Ferber's novel paints a bright portrait of turn-of-the-century America, shooting the spirit of the instances with warmth and authenticity. Through Fanny's journey, Ferber explores issues of own family, friendship, love, and the pursuit of happiness, supplying readers a poignant and insightful glimpse into the human revel in. At its heart, "Fanny Herself" is an undying coming-of-age story that resonates with readers of all ages, celebrating the indomitable spirit of a young female decided to carve out her personal path within the world.

Personality Plus: Some Experiences Of Emma McChesney And Her Son, Jock is a novel written by Edna Ferber, first published in 1914. The book follows the story of Emma McChesney, a successful traveling saleswoman who sells petticoats, and her son Jock. The novel is set in the early 20th century and explores the challenges faced by women in business and motherhood.Emma is a strong and independent woman who is determined to succeed in her career while also being a loving mother to her son. She travels across the country selling her products and faces many obstacles along the way, including sexism and financial difficulties. Jock, her son, is a typical teenager who struggles to find his place in the world.Throughout the book, Emma and Jock encounter a variety of characters, each with their own unique personalities. The novel explores the different ways in which people interact with one another and how personalities can affect relationships.Personality Plus: Some Experiences Of Emma McChesney And Her Son, Jock is a heartwarming and humorous story that highlights the importance of determination, hard work, and family. It is a timeless classic that continues to resonate with readers today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Cheerful, By Request is a collection of short stories written by Edna Ferber. The book features a range of characters, from a young girl who dreams of becoming a famous actress to a woman who must choose between her career and her love life. Each story explores the complexities of human relationships and the challenges that people face as they navigate their way through life. Ferber's writing is witty, insightful, and filled with humor, making Cheerful, By Request a delightful read for anyone who enjoys well-crafted stories that capture the essence of the human experience. Whether you're a fan of Ferber's work or just looking for a good book to curl up with, Cheerful, By Request is sure to entertain and inspire.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Dawn O'Hara" is a singular written by Edna Ferber, an American author acknowledged for her insightful and individual-pushed works. The narrative revolves across the life of the titular character, Dawn O'Hara, a younger and formidable newspaperwoman. Set in opposition to the backdrop of early 20th-century New York City, the novel offers a compelling exploration of Dawn's adventure as she navigates the demanding situations and triumphs of each her private and professional lifestyles. Ferber's storytelling captures the spirit of the times, addressing troubles alongside gender roles, social expectations, and the evolving panorama of journalism. Dawn O'Hara, together with her wit and resolution, will become a relatable and dynamic protagonist. The novel delves into Dawn's stories, relationships, and her quest for achievement in a male-dominated career. "Dawn O'Hara" displays Ferber's keen observations of human nature and her functionality to combination humor with poignant insights. The narrative is not best an individual observe however additionally a social commentary on the converting dynamics of girls' roles within the early twentieth century. With a combination of romance, humor, and societal critique, Ferber's artwork remains a noteworthy contribution to American literature, showcasing her expertise for shooting the complexities of lifestyles at some stage in this transformative length.

Buttered Side Down Edna Ferber was a 20th century American author whose novels, short stories, and plays were extremely popular during her era. She wrote the Pulitzer Prize-winning So Big, Show Boat, Cimarron, and Giant.

My Story That I Like Best is a collection of short stories written by Edna Ferber, an American novelist and playwright. The book includes 15 stories, each of which tells a unique and captivating tale. The stories are set in different locations and time periods, ranging from the Wild West to the modern city. The characters in the stories are diverse, but they all share a common theme of human struggle and resilience. Some of the stories are humorous, while others are poignant and thought-provoking. Ferber's writing style is engaging and descriptive, painting vivid pictures of the settings and characters. The stories are easy to read and follow, making them accessible to a wide range of readers. Overall, My Story That I Like Best is a charming and entertaining collection of short stories that showcases Ferber's talent as a writer. It is a must-read for anyone who enjoys classic American literature and short fiction.Additional Stories By Are James Oliver Curwood, Meredith Nicholson, H. C. Witwer. Introduction By Ray Long.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Emma McChesney put down the letter and smiled. "Sit down-now that you're in. And if you expect me to say, 'Knew what?' you're doomed to disappointment." T. A. Buck remained standing, both gloved hands clasping his walking stick on which he leaned. "Every time I come into this office, you're reading the latest scrawl from your son. One would think Jock's letters were deathless masterpieces. I believe you read them at half-hour intervals all week, and on Sunday get 'em all out and play solitaire with them." Emma McChesney's smile widened frankly to a grin.

One of the Great Novels of American BusinessEdna Ferber's classic novel "Fanny Herself" is many things. It is a "semi-autobiographical" novel about a young girl growing up in Appleton Wisconsin in the late Nineteenth and early Twentieth Century. It is loosely based on episodes from her own life, and other family members. Her older sister was named Fannie, and was the author of a famous cookbook titled "Fannie Fox's Cookbook". In her autobiography "A Peculiar Treasure" Ferber even quotes several episodes from this book saying that the account cannot be improved upon.But this is also a novel about religious tolerance and the culture of the midwest during this period of history. Ferber is an acute, humorous, and precise observer of culture and behavior. Her eye for detail, and her ear for dialogue are apparent in the many plays and movies which she wrote. Her observations of the pleasures of growing up as a bright, curious, and Jewish girl in small town Wisconsin are both revealing, and amusing.Ferber also writes tellingly of the dynamics of her family, a father who could not work, and had no business instincts; a mother who was proud, capable, and competent, unafraid of taking risks, and a sibling for whom much was sacrificed.Perhaps the most interesting story in this novel evolves after Fanny leaves home and goes to work for a new, rapidly expanding, mail order catalog company based in Chicago. A thinly disquised version of the new and explosive company subsequently called Sears and Roebuck. Although this part of the story is fiction, the descriptions of Sears, how it operates, how it changed American business, it's management, and it's methods are excellent. As with her famous Emma McChesney stories, Ferber is able to capture the essence of business transactions as interpersonal relationships in a way that no other author has done. Ferber wrote about businesses all over the United States, from the riverboat business of Showboat, to the oil business of Giant! Her novels are extensively rooted in the growth and challenges of business owners, workers and customers.One of the great scenes of the novel is the description of a Suffragette parade in New York in the years before WW1. It brings into sharp focus the feelings of women who were unable to vote, even as they expanded their roles into all other areas of society.This novel is a great place to start for anyone who has not read Ferber. It has many of the themes and even some of the characters of her other work. Highly recommended. (Dharma)BioEdna Ferber (August 15, 1885 - April 16, 1968) was an American novelist, short story writer and playwright. Her novels include the Pulitzer Prize-winning So Big (1924), Show Boat (1926; made into the celebrated 1927 musical), Cimarron (1930; adapted into the 1931 film which won the Academy Award for Best Picture), Giant (1952; made into the 1956 film of the same name) and Ice Palace (1958), which also received a film adaptation in 1960. Ferber's novels generally featured strong female protagonists, along with a rich and diverse collection of supporting characters. She usually highlighted at least one strong secondary character who faced discrimination, ethnic or otherwise.Ferber's works often concerned small subsets of American culture, and sometimes took place in exotic locations she had visited but was not intimately familiar with, such as Texas or Alaska. She thus helped to highlight the diversity of American culture to those who did not have the opportunity to experience it. Some novels are set in places she had not visited. (wikipedia.org)

There is a journey compared to which the travels of Bunyan's hero were a summer-evening's stroll. The Pilgrims by whom this forced march is taken belong to a maligned fraternity, and are known as traveling men. Sample-case in hand, trunk key in pocket, cigar in mouth, brown derby atilt at an angle of ninety, each young and untried traveler starts on his journey down that road which leads through morasses of chicken a la Creole, over greasy mountains of queen fritters made doubly perilous by slippery glaciers of rum sauce, into formidable jungles of breaded veal chops threaded by sanguine and deadly streams of tomato gravy, past sluggish mires of dreadful things en casserole, over hills of corned-beef hash, across shaking quagmires of veal glace, plunging into sloughs of slaw, until, haggard, weary, digestion shattered, complexion gone, he reaches the safe haven of roast beef, medium. Once there, he never again strays, although the pompadoured, white-aproned siren sing-songs in his ear the praises of Irish stew, and pork with apple sauce. Emma McChesney was eating her solitary supper at the Berger house at Three Rivers, Michigan. She had arrived at the Roast Beef haven many years before. She knew the digestive perils of a small town hotel dining-room as a guide on the snow-covered mountain knows each treacherous pitfall and chasm. Ten years on the road had taught her to recognize the deadly snare that lurks in the seemingly calm bosom of minced chicken with cream sauce. Not for her the impenetrable mysteries of a hamburger and onions. It had been a struggle, brief but terrible, from which Emma McChesney had emerged triumphant, her complexion and figure saved.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Show Boat, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature

Roast Beef, Medium: The Business Adventures of Emma McChesney, a classical and rare book that has been considered essential throughout human history, so that this work is never forgotten, we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Gigolo is an early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally feature a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

The editor paid for the lunch (as editors do). He lighted his seventh cigarette and leaned back. The conversation, which had zigzagged from the war to Zuloaga, and from Rasputin the Monk to the number of miles a Darrow would go on a gallon, narrowed down to the thin, straight line of business. "Now don't misunderstand. Please! We're not presuming to dictate. Dear me, no! We have always felt that the writer should be free to express that which is in his-ah-heart. But in the last year we've been swamped with these drab, realistic stories. Strong, relentless things, you know, about dishwashers, with a lot of fine detail about the fuzz of grease on the rim of the pan. And then those drear and hopeless ones about fallen sisters who end it all in the East River. The East River must be choked up with 'em. Now, I know that life is real, life is earnest, and I'm not demanding a happy ending, exactly. But if you could-that is-would you-do you see your way at all clear to giving us a fairly cheerful story? Not necessarily Glad, but not so darned Russian, if you get me. Not pink, but not all grey either. Say-mauve." ... That was Josie Fifer's existence. Mostly grey, with a dash of pink. Which makes mauve. Unless you are connected (which you probably are not) with the great firm of Hahn & Lohman, theatrical producers, you never will have heard of Josie Fifer. There are things about the theatre that the public does not know. A statement, at first blush, to be disputed. The press agent, the special writer, the critic, the magazines, the Sunday supplement, the divorce courts-what have they left untold? We know the make of car Miss Billboard drives; who her husbands are and were; how much the movies have offered her; what she wears, reads, says, thinks, and eats for breakfast. Snapshots of author writing play at place on Hudson; pictures of the play in rehearsal; of the director directing it; of the stage hands rewriting it-long before the opening night we know more about the piece than does the playwright himself, and are ten times less eager to see it. Josie Fifer's knowledge surpassed even this. For she was keeper of the ghosts of the firm of Hahn & Lohman. Not only was she present at the birth of a play; she officiated at its funeral. She carried the keys to the closets that housed the skeletons of the firm. When a play died of inanition, old age, or-as was sometimes the case-before it was born, it was Josie Fifer who laid out its remains and followed it to the grave. Her notification of its demise would come thus: "Hello, Fifer! This is McCabe" (the property man of H. & L. at the phone).

Additional Stories By Are James Oliver Curwood, Meredith Nicholson, H. C. Witwer. Introduction By Ray Long.

This intensely personal chronicle of a young girl growing up Jewish in a small midwestern town is the most autobiographical of Pulitzer Prize-winning Ferber's novels, full of fine, full-blown, and fascinating characters.

Edna Ferber (15 August 1885 - 16 April 1968), was an American novelist, author and playwright. Ferber's novels generally featured strong female protagonists, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the not-so-pretty persons have the best character. Due to her imagination in scene, characterization and plot, several theatrical and film productions have been made based on her works, including Show Boat, Giant, Saratoga Trunk, Cimarron (which won an Oscar) and the 1960 remake. Two of these works Show Boat and Saratoga Trunk - were developed into musicals. When composer Jerome Kern proposed turning the very serious Show Boat into a musical, Ferber was shocked, thinking it would be transformed into a typical light entertainment of the 1920s, and it was not until Kern explained that he and Oscar Hammerstein II wanted to create a different type of musical that Ferber granted him the rights. Saratoga (musical) was written at a much later date, after serious plots had become acceptable in stage musicals. In 1925, she won the Pulitzer Prize for her book So Big, which was made into a silent film starring Colleen Moore that same year. An early talkie movie remake followed, in 1932, starring Barbara Stanwyck and George Brent, with Bette Davis in a supporting role. It was the only movie Stanwyck and Davis ever appeared in together, and Stanwyck played Davis' mother-in-law, although only a year older in real life, which allegedly displeased her, as did the attitude of the hoydenish Davis. A 1953 remake of So Big starred Jane Wyman in the Stanwyck role, and is the version most often seen today. Ferber was a member of the Algonquin Round Table, a group of wits who met for lunch every day at the Algonquin Hotel in New York. With one hand on her sample case and the other fending off advances from salesmen, hotel clerks, and other predators, Emma holds on tightly to her reputation. Her experience has taught her that it's best to stick to roast beef, medium, rather than experiment with fancy sauces and exotic dishes. Emma McChesney and Company is the final volume of three chronicling the travels and trials of Emma McChesney.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The editor paid for the lunch (as editors do). He lighted his seventh cigarette and leaned back. The conversation, which had zigzagged from the war to Zuloaga, and from Rasputin the Monk to the number of miles a Darrow would go on a gallon, narrowed down to the thin, straight line of business. "Now don't misunderstand. Please! We're not presuming to dictate. Dear me, no! We have always felt that the writer should be free to express that which is in his-ah-heart. But in the last year we've been swamped with these drab, realistic stories. Strong, relentless things, you know, about dishwashers, with a lot of fine detail about the fuzz of grease on the rim of the pan. And then those drear and hopeless ones about fallen sisters who end it all in the East River. The East River must be choked up with 'em. Now, I know that life is real, life is earnest, and I'm not demanding a happy ending, exactly. But if you could-that is-would you-do you see your way at all clear to giving us a fairly cheerful story? Not necessarily Glad, but not so darned Russian, if you get me. Not pink, but not all grey either. Say-mauve." ... That was Josie Fifer's existence. Mostly grey, with a dash of pink. Which makes mauve.

There is no knowing why they confided these things to Sophy instead of to each other, these wedded sisters of hers. Perhaps they held for each other an unuttered distrust or jealousy. Perhaps, in making a confidante of Sophy, there was something of the satisfaction that comes of dropping a surreptitious stone down a deep well and hearing it plunk, safe in the knowledge that it has struck no one and that it cannot rebound, lying there in the soft darkness. Sometimes they would end by saying, "But you don't know what it is, Sophy. You can't. I'm sure I don't know why I'm telling you all this." But when Sophy answered, sagely, "I know; I know"-they paid little heed, once having unburdened themselves. The curious part of it is that she did know. She knew as a woman of fifty must know who, all her life, has given and given and in return has received nothing.