Bøger af Eduard Gerhard

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Das Orakel Der Themis; Volume 6 Of Winckelmannsprogramm (ArchAologische Gesellschaft Zu Berlin); Volume 6 Of Programm Zum Winckelmannsfeste Der Archaeologischen Gesellschaft Zu Berlin; Volume 6 Of Programm Zum Berliner Winckelmannsfest Eduard Gerhard Druck von A. W. Hayn, 1846 Literary Criticism; General; Delphian oracle; Literary Criticism / General; Themis (Greek deity)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Frontmatter -- Einleitung -- Grundriss der Archäologie -- Beilagen

Frontmatter -- INHALT DES ZWEITEN THEILS -- DRITTES BUCH. DIE GRIECHISCHE HEROENSAGE -- VIERTES BUCH. ITALISCHE MYTHOLOGIE

Frontmatter -- VORREDE -- INHALT -- I. Archemoros und die Hesperiden -- II. Ueber die Metallspiegel der Etrnsker .I. -- III. Ueber die Lichtgottheiten auf Kunstdenkmälern -- IV. Ueber die Flügelgestalten der alten Kunst -- V. Ueber die Vase des Midias -- VI. Ueber die zwölf Götter Griechenlands -- VII. König Atlas im Hesperidenmythos -- VIII. Ueber die Minervenidole Athens -- IX. Ueber die Venusidole -- X. Ueber die Gottheiten der Etrusker -- Erklärung der Kupfertafeln

Frontmatter -- Preface -- VORREDE. -- INHALT DES ERSTEN THEILS. -- Verzeichniss der Abkürzungen. -- EINLEITUNG. -- ERSTES BUCH. GÖTTERSYSTEME. -- ZWEITES BUCH. DIE GRIECHISCHEN GOTTHEITEN. -- A. OLYMPISCHE. -- B. CHTHONISCHE GOTTHEITEN. -- C. VERMISCHTE GOTTHEITEN.

""¿¿¿¿¿ber den Gott Eros"" ist ein philosophisches Werk von Eduard Gerhard, das im Jahr 1850 ver¿¿¿¿¿¿ffentlicht wurde. Das Buch besch¿¿¿¿¿ftigt sich mit der griechischen Mythologie und insbesondere mit dem Gott Eros, der als die Verk¿¿¿¿¿¿rperung der Liebe und der Leidenschaft gilt. Gerhard untersucht die verschiedenen Aspekte von Eros und seine Rolle in der griechischen Gesellschaft, Kunst und Literatur. Er diskutiert auch die Bedeutung von Eros in der modernen Welt und wie seine Ideen in der heutigen Gesellschaft noch relevant sind. Das Buch bietet einen tiefen Einblick in die griechische Mythologie und ist ein wichtiger Beitrag zur Geschichte der Philosophie und der Kulturwissenschaften.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.