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Cello / Orchestra2d1, 2, 2, 2 - 4, 2, 3, (1), timp, strsISMN: 979-0-58021-142-2
Two of the much-loved English composer's best and most powerful works: Symphony No. 1 in A-flat Major, Op. 55, and Symphony No. 2 in E-flat Major, Op. 63, both reproduced from authoritative scores.
Scenes from the Saga of King Olaf is an unchanged, high-quality reprint of the original edition of 1896.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Caractacus - A cantata for soprano, tenor, baritone and bass soli, chorus and orchestra. Op. 35 is an unchanged, high-quality reprint of the original edition of 1898.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Symphony for Full Orchestra is a classical music composition by the English composer Edward Elgar. It was first performed in 1908 and is one of Elgar's most famous works. The symphony is divided into four movements, each with its own distinct character and mood. The first movement is marked by a slow and somber melody that builds to a powerful climax. The second movement is a lively scherzo, featuring a playful and energetic theme. The third movement is a slow and introspective adagio, with a hauntingly beautiful melody that is both mournful and uplifting. The final movement is a triumphant allegro, with a majestic theme that builds to a stirring conclusion. Throughout the symphony, Elgar demonstrates his mastery of orchestration, using the full range of instruments to create a rich and complex sound. The Symphony for Full Orchestra is considered a masterpiece of the late Romantic era and a testament to Elgar's skill as a composer.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
The Kingdom: An Oratorio is a musical composition created by the renowned English composer Edward Elgar in 1906. The oratorio is a sacred work that tells the story of the early Christian church, focusing on the events of Pentecost and the spread of the gospel to the world. The Kingdom is divided into two parts, with the first part focusing on the disciples' preparation for their mission and the second part depicting the triumph of Christianity.The work is scored for a large orchestra, chorus, and soloists. The vocal parts are written in English and are based on biblical texts and poetry by Elgar's wife, Alice. The music is characterized by its grandeur and soaring melodies, with Elgar's signature use of brass and percussion to create dramatic effect.The Kingdom was first performed in Birmingham in 1906 and was well-received by audiences and critics alike. It has since become a popular work in the choral repertoire and is often performed in concert halls and churches around the world. The Kingdom is considered one of Elgar's greatest works, showcasing his mastery of orchestration and his ability to create powerful and moving musical narratives.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
A tour de force for any cellist, Elgar's magnificent Cello Concerto is performed more frequently than any other except that of Dvorak.
Elgar's Serenade for Strings is a youthful work full of charm and elegance. Completed in 1892, it is most likely a reworking of a suite Elgar had written some years earlier and has been a long-standing favorite of string orchestras and audiences worldwide ever since its publication the same year. Even though the first known public performance was given in Antwerp on July 21, 1896, at least one movement was performed in Worcester by the Worcester Ladies' Orchestral Class in March 1892 under the composer's direction. Richard W. Sargeant, Jr.'s newly engraved edition showcases this brilliant work and is available for the enjoyment of professionals and amateurs alike. IMSLP page Wikipedia article
Elgar produced orchestral arrangements of three items (Nos.1, 3 and 6) from his own set of six songs for chorus and orchestra entitled "From the Bavarian Highlands" in the wake of the successful premiere at the Worcester Festival in April of 1896. The original settings, with text by Alice Elgar, were completed by April of the previous year and no doubt inspired by the Elgars' summer holidays spent in Garmisch, Bavaria. The orchestral suite was given its first performance at London's Crystal Palace on October 23, 1897 under August Manns. This new study score is a digitally-restored reproduction of the one first issued by Joseph Williams of London in 1901. In contrast to so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is actually readable.
Composed for the Norfolk and Norwich Festival, Sea Pictures was heard for the first time on October 5, 1899 with also Clara Butt accompanied by the Festival Orchestra under the composer's direction. Elgar chose a five poems from five authors, including his wife (who provided the words for the second song). This new vocal score is a digitally enhanced reissue of the one first published in late 1899 by Boosey & Co., London. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable.
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