Bøger af Eleanor Gates

A poignant and uplifting novel about the transformative power of love and loyalty. Set against the backdrop of New York City in the early twentieth century, this timeless story celebrates the resilience and compassion of the human spirit.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

HE was ten. But his clothes were forty. And it was this difference in the matter of age, and, consequently, in the matter of size, that explained why, at first sight, he did not show how thin-bodied he was, but seemed, instead, to be rather a stout little boy. For his faded, old shirt, with its wide sleeves lopped off just above his elbows, and his patched trousers, shortened by the scissors to knee length, were both many times too large for him, so that they lay upon him, front, back and sides, in great, overlapping pleats that were, in turn, bunched into heavy tucks; and his kitchen apron, worn with the waistband about his neck, the strings being tied at the back, also lent him-if viewed from the front-an appearance both of width and weight. But he was not stout. His frame was not even fairly well covered. From the apron hem in front, the two legs that led down to the floor were scarcely larger than lead piping. From the raveling ends of his short sleeves were thrust out arms that matched the legs-bony, skinny arms, pallid as to color, and with hardly any more shape to them than there was to the poker of the cookstove. But while the lead-pipe legs ended in the sort of hard, splinter-defying boy's feet that could be met with on any stretch of pavement outside the tenement, the bony arms did not end in boyish hands. The hands that hung, fingertips touching halfway to the knee, were far too big for a boy of ten. They were red, too, as if all the blood of his thin shoulders had run down his arms and through his wrists, and stayed there. And besides being red, fingers, palms and backs were lined and crinkled. They looked like the hands of a hard-working, grown girl. That was because they knew dish washing and sweeping, bed making and cooking, scrubbing and laundering.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Plow-Woman, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Ph¿be, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Adapted from her novel, Eleanor Gates' play "Poor Little Rich Girl" opened in New York to rave reviews with The New York Times claiming it "is as nearly a work of genius as our stage often sees." With its pungent criticism of social life, audiences found it one of the few intelligent plays for children and adults alike. Poor little rich Gwendolyn, who's wealthy father has no time for her, and her socialite mother hardly notices her, finds herself missing a real family. When her pitiless nurse over medicates her one night, Gwendolyn sinks into a fever dream of fact escaping into fancy. At the conclusion of its successful New York run, the play toured the country. In 1917 Mary Pickford starred in the first motion picture of the story. Later the property would be bought for a Shirley Temple version.

This collection of literature attempts to compile many classics that have stood the test of time and offer them at a reduced, affordable price in an attractive volume so that everyone can enjoy them.

The Poor Little Rich Girl By Eleanor Gates

The Plow-Woman is a novel written by Eleanor Gates and published in 1906. The story revolves around a young woman named Mary Thomas, who lives in a rural community in the United States. Mary is known for her strength and determination, and she works tirelessly on her family's farm. Despite facing many challenges and obstacles, Mary remains committed to her work and her family, and she becomes a symbol of resilience and perseverance in her community. The novel explores themes of gender roles, class dynamics, and the importance of hard work and determination. The Plow-Woman is a classic work of American literature and is still widely read and studied today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1902 Edition.

Eleanor Gates (1875 - 1951) was an American playwright who created seven plays that were staged on Broadway. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. In this book: Alec Lloyd, Cowpuncher The Plow-Woman Apron-Strings The Biography of a Prairie Girl The Poor Little Rich Girl The Rich Little Poor Boy

As Gwendolyn stared at the line the reflection of her small face in the mirror grew suddenly all white as if some rude hand had reached out and brushed away the pink from cheeks and lips. Eleanor Gates was an American playwright who created seven plays that were staged on Broadway. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Excerpt from The Poor Little Rich Girl Whatever otherwise the pretty virtues of our Amer ican drama, the quality of fanciful imagination is of the catalogue no (or at best, small) part. We have seen amongst us farce writers of light and facile finger; we have seen drama framers of intermittently rugged, if consistently yoke], philosophic vision. Yet, the writer of exploring phantasies, the writer of caprices that violate the neutrality of the sacrosanct Broadway commonplace, is but dimly silhouetted against the borning native sun.

As Gwendolyn stared at the line the reflection of her small face in the mirror grew suddenly all white as if some rude hand had reached out and brushed away the pink from cheeks and lips. Eleanor Gates was an American playwright who created seven plays that were staged on Broadway. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Excerpt from The Poor Little Rich GirlWhatever otherwise the pretty virtues of our Amer ican drama, the quality of fanciful imagination is of the catalogue no (or at best, small) part. We have seen amongst us farce writers of light and facile finger; we have seen drama framers of intermittently rugged, if consistently yoke], philosophic vision. Yet, the writer of exploring phantasies, the writer of caprices that violate the neutrality of the sacrosanct Broadway commonplace, is but dimly silhouetted against the borning native sun.