Bøger af Ellen Anderson Gholson Glasgow

"The Deliverance" by using Ellen Anderson Gholson. Glasgow is a captivating work of Southern literature that explores the intricacies of human relationships and society requirements. Set in the Submit-Civil War South, the story follows its protagonists as they face the hardships of Reconstruction and the changing social scene. The tale facilities at the protagonist, John Randolph, and his direction of self-discovery. As he offers with personal issues and cultural expectancies, the tale delves into topics of identification, love, and the impact of historic occasions on character lives. Glasgow's exquisite writing captures the complexities of Southern culture, depicting circle of relative¿s interactions and the warfare between tradition and progress. The people' problems and achievements are woven into a complicated tapestry that gives readers a clean photograph of the Southern revel in at some stage in a watershed moment in American records. "The Deliverance" exemplifies Glasgow's innovative prowess, offering readers an idea-frightening evaluation of human nature and the in no way-ending desire for private independence and delight.

Ellen Anderson Gholson Glasgow (1873 - 1945) was an American novelist who portrayed the changing world of the contemporary south. Glasgow's first novel, The Descendant (1897) was written in secret and published anonymously. The novel features an emancipated heroine who seeks passion rather than marriage. Although it was published anonymously, the novel's authorship became well known the following year, when her second novel, Phases of an Inferior Planet (1898), announced on its title page, "by Ellen Glasgow, author of The Descendant." The novel portrays the demise of a marriage and focuses on "the spirituality of female friendship."

Along Broadway at six o'clock a throng of pedestrians was stepping northward. A grayish day was settling into a gray evening, and a negative lack of color and elasticity had matured into a positive condition of atmospheric flatness. The air exhaled a limp and insipid moisture, like that given forth by a sponge newly steeped in an anæsthetic. Upon the sombre fretwork of leafless trees, bare against red-brick buildings, drops of water hung trembling, though as yet there had been no rainfall, and the straggling tufts of grass in the city parks drooped earthward like the damp and uncurled fringe of a woman's hair.

Toward the close of an early summer afternoon, a little girl came running along the turnpike to where a boy stood wriggling his feet in the dust. "Old Aunt Ailsey's done come back," she panted, "an' she's conjured the tails off Sambo's sheep. I saw 'em hanging on her door!" The boy received the news with an indifference from which it blankly rebounded. He buried one bare foot in the soft white sand and withdrew it with a jerk that powdered the blackberry vines beside the way. "Where's Virginia?" he asked shortly.

As the light fell on her face Gerty Bridewell awoke, stifled a yawn with her pillow, and remembered that she had been very unhappy when she went to bed. That was only six hours ago, and yet she felt now that her unhappiness and the object of it, which was her husband, were of less disturbing importance to her than the fact that she must get up and stand for three minutes under the shower bath in her dressing-room. With a sigh she pressed the pillow more firmly under her cheek, and lay looking a little wistfully at her maid, who, having drawn back the curtains at the window, stood now regarding her with the discreet and confidential smile which drew from her a protesting frown of irritation.

The last day of Circuit Court was over at Kingsborough. The jury had vanished from the semicircle of straight-backed chairs in the old court-house, the clerk had laid aside his pen along with his air of listless attention, and the judge was making his way through the straggling spectators to the sunken stone steps of the platform outside. As the crowd in the doorway parted slightly, a breeze passed into the room, scattering the odours of bad tobacco and farm-stained clothing. The sound of a cow-bell came through one of the small windows, from the green beyond, where a red-and-white cow was browsing among the buttercups.

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Toward the close of a May afternoon in the year 1884, Miss Priscilla Batte, having learned by heart the lesson in physical geography she would teach her senior class on the morrow, stood feeding her canary on the little square porch of the Dinwiddie Academy for Young Ladies. The day had been hot, and the fitful wind, which had risen in the direction of the river, was just beginning to blow in soft gusts under the old mulberry trees in the street, and to scatter the loosened petals of syringa blossoms in a flowery snow over the grass.

When the Susquehanna stage came to the daily halt beneath the blasted pine at the cross-roads, an elderly man, wearing a flapping frock coat and a soft slouch hat, stepped gingerly over one of the muddy wheels, and threw a doubtful glance across the level tobacco fields, where the young plants were drooping in the June sunshine. "So this is my way, is it?" he asked, with a jerk of his thumb toward a cloud of blue-and-yellow butterflies drifting over a shining puddle-"five miles as the crow flies, and through a bog?"

Ellen Anderson Gholson Glasgow (1873 - 1945) was an American novelist who portrayed the changing world of the contemporary south. Glasgow's first novel, The Descendant (1897) was written in secret and published anonymously. The novel features an emancipated heroine who seeks passion rather than marriage. Although it was published anonymously, the novel's authorship became well known the following year, when her second novel, Phases of an Inferior Planet (1898), announced on its title page, "by Ellen Glasgow, author of The Descendant." The novel portrays the demise of a marriage and focuses on "the spirituality of female friendship."

The winter's twilight, as thick as blown smoke, was drifting through the Capitol Square. Already the snow covered walks and the frozen fountains were in shadow; but beyond the irregular black boughs of the trees the sky was still suffused with the burning light of the sunset. Over the head of the great bronze Washington a single last gleam of sunshine shot suddenly before it vanished amid the spires and chimneys of the city, which looked as visionary and insubstantial as the glowing horizon.

THOUGH it was six days since Daniel Ordway had come out of prison, he was aware, when he reached the brow of the hill, and stopped to look back over the sunny Virginia road, that he drank in the wind as if it were his first breath of freedom. At his feet the road dropped between two low hills beyond which swept a high, rolling sea of broomsedge; and farther still-where the distance melted gradually into the blue sky-he could see not less plainly the New York streets through which he had gone from his trial and the walls of the prison where he had served five years. Between this memory and the deserted look of the red clay road there was the abrupt division which separates actual experience from the objects in a dream.

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Ellen Anderson Gholson Glasgow (1873 - 1945) was an American novelist who portrayed the changing world of the contemporary south. Glasgow's first novel, The Descendant (1897) was written in secret and published anonymously. The novel features an emancipated heroine who seeks passion rather than marriage. Although it was published anonymously, the novel's authorship became well known the following year, when her second novel, Phases of an Inferior Planet (1898), announced on its title page, "by Ellen Glasgow, author of The Descendant." The novel portrays the demise of a marriage and focuses on "the spirituality of female friendship."

The Descendant: A Novel is a literary work written by Ellen Anderson Gholson Glasgow and first published in 1897. The book is set in the post-Civil War era and tells the story of a young woman named Sydney Page who is struggling to come to terms with her family's past and her own identity. Sydney is the descendant of a wealthy and influential family from Virginia, but her family's reputation has been tarnished by their involvement in the slave trade. As she navigates her own personal and romantic relationships, Sydney is forced to confront the dark legacy of her family and the impact it has had on her life.The novel explores themes of identity, family, and the impact of history on the present. Glasgow's writing is known for its vivid descriptions and complex characters, and The Descendant is no exception. The book is a powerful exploration of the complexities of Southern history and the lasting impact of slavery on American society. Overall, The Descendant: A Novel is a thought-provoking and engaging work of literature that is sure to resonate with readers interested in history, identity, and the human experience.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpts from the BookThe Major chuckled again, still holding out his hand. Had she been eighty instead of eight, the gesture could not have expressed more deference. "So you don't like old men any better than boys!" he exclaimed. "Oh, yes, sir, I do-heaps," said Betty. She transferred the frog's foot to her left hand, and gave him her right one. "When I marry, I'm going to marry a very old gentleman-as old as you," she added flatteringly.This book is a Fiction, very nicely penned by the author. This book is a reproduction of an important historical work.

Life and Gabriella: The Story of a Woman's Courage, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.