Bøger af Ernst van Alphen

How artists have devised creative solutions to the taxonomic constraints of the archiveThis critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of which we organize our lives, the past, the present and the future, these issues require exploration. Productive Archiving proposes that artistic treatments of (and interventions in) archives can offer innovative ways to foster new connections and ways of thinking and organizing.Authors include: Aleida Assmann, Annet Dekker, Lars Ebert, Sebastián Díaz Morales, Monika Huber, William Kentridge, Pablo Lerma, Inge Meijer, Santu Mofokeng, Merapi Obermayer, Walid Raad, Ana Paula Saab, Drew Sawyer, Carla Subrizi, Marjan Teeuwen, Daria Tuminas, Jeffrey Wallen.Visual essays by: Sebastían Díaz Morales, Monika Huber, William Kentridge, Pablo Lerma, Inge Meijer, Marjan Teeuwen and Santu Mofokeng.

From architectural space to narrative dynamics: a brilliant new conception of sculpture's unique modalitiesWhile discussions about installation art or other three-dimensional art forms are widespread, the discourse on sculpture seems to be stuck in historical or thematic frameworks. Drawing from literature, philosophy, psychoanalysis and architecture, Ernst van Alphen explores "seven logics" of sculpture: the Logic of Inner Necessity; the Logic of Narration; the Logic of Space; the Logic of Volume; the Logic of Assemblage; the Logic of Architectural Space; and the Non-Logic of Singleness. These themes articulate the modalities specific to sculpture in a fresh and brilliant conception. Artists discussed include Carl Andre, Louise Bourgeois, Constantin Brâncusi, Joseph Cornell, Marcel Duchamp, Eva Hesse, Donald Judd, Sol Lewitt, Franz Xaver Messerschmidt, Michelangelo, Bruce Nauman, Meret Oppenheim and Rachel Whiteread.Ernst van Alphen (born 1958) is a cultural theorist and a professor emeritus of literary studies at the Leiden University Centre for the Arts in Society. He is the author of Failed Images (Valiz, 2018) and Staging the Archive (Reaktion Books, 2014), and the editor of Shame! and Masculinity (Valiz, 2020).

Multigenre perspectives on shame and male self-esteem post-MeTooSince the ascent of the MeToo movement, male sexual abuse and abuse of power has come under necessary scrutiny, thereby impacting perceptions of male sexuality and the self-esteem of many men. While plenty of male abusers seem to experience no shame, some do, as do men who have not transgressed, but who may now be negotiating shame in relation to their gender and sexuality. Hybrid in genre, combining scholarly essays with short stories, personal testimonies and provocative and intimate artist's contributions, Shame! and Masculinity looks at the representation of male sexuality, fatherhood, violence, rape, fascism and virility, men and war. It shows works of art that deal with the intricacies and contradictions of these socio-cultural constructs and realities, and stimulates reflection on shame in collusion with masculinity, from male as well as female perspectives, with visual contributions by Jeanette Christensen, Marlene Dumas, Arnoud Holleman, Hans Hovy, Natasja Kensmil, Nalini Malani, Lotte Schröder, Artur Zmijjewski and Ina van Zyl.

In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history.

Dedicated to art practices that mobilize the model of the archive, this book demonstrates the ways in which such 'archival artworks' probe the possibilities of what art is and what it can do.