Bøger af Eugene Benson

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Tuneful Voice: Selected Libretti presents a collection of works by Eugene Benson, professor, novelist, playwright, and editor, written over a fifty-year period. The volume includes adaptations of the writings of such prominent authors as Jane Austen, Charles Dickens, and Oscar Wilde as opera, operetta, musical theatre, and oratorio. The death of Canadian painter Tom Thomson is probed in the oratorio The Mystery of Canoe Lake, and the extraordinary story of the Canadian theatre mogul Ambrose J. Small is dramatized in the musical The Millionaire Who Disappeared. Other subjects range from the Middle Ages to the twentieth century.This is a book, rich in detail and personal insight, and an illuminating exploration of how musical theatre in its various genres is created. Benson's work has been performed by the Canadian Opera Company, the Stratford Festival of Canada, the Guelph Spring Festival, Toronto Operetta Theatre, Westben Arts Festival, Opera-in-Concert (Toronto), Stratford Summer Music, and broadcast by the Canadian Broadcasting Corporation.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Writer, would-be Catholic priest, editor, librettist, and professor, Eugene Benson surveys ninety years of travel, adventure, and engagement at the very heart of Canadian culture. Born in Ireland, Benson's early recollections recall a world of political troubles, war, and wavering religious devotion. His adventures working and travelling across the globe are both fascinating and sometimes eyebrow-raising. Benson's involvement in Canadian cultural affairs took place at a time when this country was becoming an important presence on the world stage. Benson's memories of many of the key figures that shaped it, including Margaret Atwood, Margaret Laurence, Robertson Davies, Northrop Frye and Marshall McLuhan, are deeply insightful, and his overall perspective is witty, humanistic, and occasionally cynical."There is a surprisingly broad sweep to Eugene Benson's memoir, in places, people and ideas. He is a seeker and adventurer, delving deeply into subjects as diverse as theology, the barbarism of bullfights and musicology. Benson has written this eloquent, clear-minded book at age 90. His powers of recall reach not just the events, places and people of his life, but actual conversations. And they are interesting! 'The exercise of writing an autobiography is sometimes an exercise in evasion' Benson says at the beginning of his book. He seems to be not guilty of that except for the two most traumatic experiences of his life. He cannot describe the emotional pain he went through in deciding the priesthood was not for him. The other is in late life when his beloved German-Canadian wife dies of dementia. In between are vivid, lively, insightful accounts of his adventures when he emigrated to Canada and taught in a remote Saskatchewan school with all grades in the one room. He held odd jobs in Vancouver, wrote a novel in Mexico, became a dishwasher of no fixed address in Toronto, taught English to immigrant pilots, then did his PhD at University of Toronto. There, caught in the unacknowledged rivalry between Northrop Frye and Marshall McLuhan, Benson almost failed his oral exam by politely telling McLuhan his questioning was unintelligible. Then began his secure academic career helping to build the Department of English at Guelph University as he contributed important books on Canadian theatre, wrote libretti for avant-garde operas, promoted the Guelph music festival and worked with the prominent Canadian writers of the 1970s and '80s. He became a particular friend of Graeme Gibson and chaired the Writers' Union of Canada in 1983-84. Margaret Atwood called on him to serve on the first executive of PEN Canada. Through his portraits of friendship with the greats of the Canadian music and literary world emerges a fascinating portrait of the talented, valuable Eugene Benson." -Dorris Heffron, author of City Wolves and other novels