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In this posthumous collection of essays, Eva Saulitis meditates on mortality, the art of living fully, and her advancing illness and nearing death, confronting the waiting question without fear or sentimentality: how are you going to live when you know you are going to die?
Many Ways to Say It, a collection of lyric poems, is a series of prayers, cries, dispatches, observational records, secret messages, weather reports, daily logs, love poems, trespasses, confessions, letters, and songs. A trained marine biologist, Eva Saulitis uses poetry as a tool to push past the laws of biology--objectivity and detachment--to get as close as she can get to the harsh inner and outer place she calls home. Though chosen, for her, place requires constant re-negotiation and exploration. Living for more than two decades in coastal Alaska is like an arranged marriage, rife with ambivalence and risk, desire and loss. The poems portray the difficult process of this kind of marriage, of "marrying this chunk of earth / the seasons, mud, and crack-up." Close observation of natural phenomena is both the poet's and the biologist's method. Thus these poems are dispatches from inner and outer wilderness: white-outs, mountain tops, swamps, muskegs, ecotones, and woods. The lover, a second character in the poems, is human and animal, flesh and mineral, mind and earth, heart and weather. Ultimately, Many Ways to Say It is an unscientific investigation into the wild animal that is the self, its contradictions, urges, demands, and terrors, and its desire for self-definition. But it is only by studying the wild without--through encounters with, say, a moose, a mountain, a coyote, a pond--that the poet comes to terms with the wild, and untouchable, within.
Leaving Resurrection is one woman's love poem to the Alaskan places and people that have taken possession of her soul. Eva Saulitis writes with great honesty about her vulnerability and fears, about her excitement and discoveries, and about her passionate love for the wild. She inspires us with her boldness, she invites us to eagerly accept challenges, she opens us to the willing embrace of adventure, and she takes us into the hidden glories of Alaska as few other writers have done.These gentle, richly perceptive, beautifully rendered stories take readers straight to the heart of Alaska. And like all fine writing, it leaves you aching for more. Eva Saulitis writes deeply from the spirit of Margaret Murie, and she shows us that the soul of wildness is still very much alive in the north country.The wild country of Alaska has always attracted women of extraordinary strength and character, women with a keen eye for the land's beauty and a heart strong enough for its challenges, women equal to the measure of the Alaskan land itself. Eva Saulitis and Leaving Resurrection are wonderful reminders that the tradition lives on.
Science entwines with matters of the human heart as a whale researcher chronicles the lives of an endangered family of orcas Ever since Eva Saulitis began her whale research in Alaska in the 1980s, she has been drawn deeply into the lives of a single extended family of endangered orcas struggling to survive in Prince William Sound.Over the course ofa decades-long career spent observing and studying these whales, and eventually coming to know them as individuals, she has, sadly, witnessed the devastation wrought by the Exxon Valdez oil spill of 1989after which not a single calf has been born to the group. With the intellectual rigor of a scientist and the heart of a poet, Saulitis gives voice to these vital yet vanishing survivors and the place they are so loyal to. Both an elegy for one orca family and a celebration of the entire species, Into Great Silence is a moving portrait of the interconnectedness of humans with animals and placeand of the responsibility we have to protect them.
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