Bøger af Farhat Hasan

"Dark Mirror" delves into the intricate world of dark psychology, unraveling the shadows that cloak human behavior.Chapters such as "Non-Verbal Cues" and "Micro Expression" dissect the subtle language of gestures and fleeting facial expressions, revealing the powerful messages hidden within our non-verbal communication.The "Dark Triad of Personality" exposes the darker facets of human nature, exploring the traits of narcissism, Machiavellianism, and psychopathy that influence behavior. "The Psychology of Manipulation" delves into the art of influencing others, while "Hypnosis" explores the depths of subconscious suggestion."Deception and Lying" unravels the intricacies of falsehoods, and "Gaslighting and Emotional Manipulation" dissects the tactics employed to manipulate emotions and perceptions. "Mind Control and Brainwashing" delves into the more extreme forms of psychological manipulation."Persuasion Techniques" and "Seduction" unveil the subtle tools individuals use to sway opinions and create allure. The book concludes with "Empowering Individuals to Protect Themselves," offering insights and strategies for readers to guard against the psychological tactics explored throughout the book."Dark Mirror" serves as a guide through the shadows of the human psyche, providing both an understanding of the darker aspects of psychology and empowering readers to navigate a world where psychological manipulation can lurk around every corner.

"This book opens up an archive of women's verses found in the extant, but overlooked, women's biographical compendia (tazkira-i zanåana) written in the nineteenth century. As commemorative texts, these compendia written in Urdu draw our attention to their memories--celebrated and contested--in cultural spaces. In drawing connections between memory and literature, this study contests the commonplace assumption that the literary public sphere was markedly homosocial and gender exclusive, and argues instead that the women poets, coming from a wide variety of social groups, actively participated in shaping the norms of aesthetics and literary expression; they introduced fresh signifiers and signifying practices to apprehend their emotions, experiences, and world views. Women's poetry was a kind of 'subjugated'/'erudite' knowledge that enriched the literary culture, even as it evoked considerable anxieties, and stood in a paradoxical relationship with the dominant episteme, both reinforcing and challenging its cultural assumptions and truth-claims. Their lyrics were forms of self-narratives or an act of 'unveiling', but in order to appreciate their meanings we need to be sensitive to the multi-medial mode of meaning-apprehension. This work suggests that the women's tazkiras performed an act of 'epistemic disobedience' contesting not only the British imperial representations of India, but also the Indo-Muslim modern reformers on issues of domesticity, conjugal companionship, and love and desire"--