Bøger af Francoise Davoine

What is common among mad people, good intelligentsia and children? What is common among Rabele and Wittgenstein, Arteau and Spentiger, Cartecious and Cantor, Homer and japanese theatre No? Françoise Davoine and Jean-Max Gaudilliere come up against them as they track divergencies, deviations and achievements of human spirit in otherworldly and unfamiliar place of trauma and destruction. Human's personal stories are connected with History. Every time, beyond the symptoms and crises, it is revealed the unspeakable horror of war, betray and fall of social web. Their understanding in the prompt of transmission gives us the key of healing. The historization of the moments of the fall of social web in the analysis include this certainty which is necessary for the birth of subject. In this book, in which french psychoanalytic thought meets with the american psychiatry in conditions of destruction or war, the authors set in question "means" of psychiatry. They redefine its history work as they examine again the possibility of subjectivity in the room of traumatical. Françoise Davoine and Jean-Max Gaudilliere are psychoanalusts and teach to École des Hautes Études en Sciences Sociales in Paris, in the contect of seminar "Madness and social web". Professors of Classical Studies (Greek, Latin) and doctors of Sociological Sciences have been coperating for decates with clinicals of United States in the context of their researches about the traumatical in the social web.

In the course of nearly thirty years of work with patients in psychiatric hospitals and private practice, Francoise Davoine and Jean-Max Gaudilliere have uncovered the ways in which transference and countertransference are affected by the experience of social catastrophe. Handed down from one generation to the next, the unspoken horrors of war, betrayal, dissociation, and disaster in the families of patient and analyst alike are not only revived in the therapeutic relationship but, when understood, actually provide the keys to the healing process. The authors present vivid examples of clinical work with severely traumatized patients, reaching inward to their own intimate family histories as shaped by the Second World War and outward toward an exceptionally broad range of cultural references to literature, philosophy, political theory, and anthropology. Using examples from medieval carnivals and Japanese No theater, to Wittgenstein and Hannah Arendt, to Sioux rituals in North Dakota, they reveal the ways in which psychological damage is done--and undone. With a special focus on the relationship between psychoanalysis and the neurosciences, Davoine and Gaudilliere show how the patient-analyst relationship opens pathways of investigation into the nature of madness, whether on the scale of History--world wars, Vietnam--or on the scale of Story--the silencing of horror within an individual family.In order to show how the therapeutic approach to trauma was developed on the basis of war psychiatry, the authors ground their clinical theory in the work of Thomas Salmon, an American doctor from the time of the First World War. In their case studies, they illustrate how three of the four Salmon principles--proximity, immediacy, and expectancy--affect the handling of the transference-countertransference relationship. The fourth principle, simplicity, shapes the style in which the authors address their readers--that is, with the same clarity and directness with which they speak to their patients.

In this book, the author draws on her literary background to take the reader on a fascinating voyage with an unexpected but most helpful guide: Don Quixote. In her work, Davoine approaches madness not as a symptom, but rather as a place, the place where the symbolic order and the social link have ruptured.

After giving us a fascinating reading of Cervantes' classic novel in Don Quixote: Fighting Melancholia, Francoise Davoine and Jean-Max Gaudilliere co-author a second work, to reflect on the hero's battle against perversion. To do so, they retrace his adventures in the Cervantes' second Don Quixote, written ten years after the first.

A fictionalized hybrid of personal memoir, case studies, dream sequences, and theoretical reflection, this book on madness, trauma and psychiatry uses a fictional form to engage with psychotic experience and to make the case for a less mechanized, more humane treatment of "fools and madmen."