Bøger af Frank Moore

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

1867. From the Introduction: The histories of wars are records of the achievements of men, for the most part: the chroniclers have had to record that women, by their intrigues or their fatal gift of beauty, have been the cause of strifes innumerable; and it is confessed that they have inspired heroism and knightly deeds, but they have had small share in the actual conflicts. It has been their portion to suffer in silence at home, and to mourn the dead. For them it has been to hear of sufferings which they could not alleviate, to grieve or rejoice over results to which they had contributed only sympathy and prayers. It has been different in our Conflict for the Union. Includes stories about: Mrs. Fanny Ricketts; Mrs. Mary A. Brady; Kady Brownell; Mrs. P.B. Hurd; Margaret E. Breckinridge; Mrs. Elida Rumsey Fowle; Bridget Divers; Mrs. Isabella Fogg; What We Did at Gettysburg; Mrs. Mary W. Lee; Miss Major Pauline Cushman; Mrs. John Harris, Mary E. Shelton, Carrie Sheads, Mrs. Stephen Barker, Mrs. Belle Reynolds, Mrs. Charlotte E. McKay; The Bloody Flag of Fort Pillow; Mrs. Mary Morris Husband; Mrs. E. E. George; Ana Maria Ross; Mrs. A.H. Hoge; Miss Emily W. Dana; Mrs. S. Burger Stearns; Mrs. Harriet W.F. Hawley; Miss Maria M.C. Hall; Mrs. Governor Harvey; Miss Amy M. Bradley; Miss Rebecca R. Usher; Mother Byckerdyke; Mrs. Ann Hitz; Aunt Lizzie and Mother; Miss Mary E. Dupee; Mrs. Elizabeth Mendenhall; Loyal Southern Women; Anna Etheridge; Miss A. Shelton; Miss Georgiana Willets; Women as Soldiers; Nelly M. Chase; Woman's Sacrifices; Miss Jane Boswell Moore; and Sanitary Laborers. See other titles by this author available from Kessinger Publishing.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

A practical, step-by-step approach to teach the concept of holiness.

A practical, step-by-step approach to teach the concept of holiness.

In 1977 Frank Moore took a freighter from Montreal to Santander, Spain. He traveled through Spain, France, and Morocco, finally settling in Paris, where he obtained a residency in the Cite des Arts. Upon his return to New York, Moore began a decade-long involvement with modern dance, theater, film, and video that paralleled his development as a painter. The increasing devastation of the AIDS crisis through the eighties profoundly and irrevocably transformed his life and work. His work was included in the 1995 Whitney Biennial and is included in the collections of the Whitney Museum, the Museum of Modern Art, and the Albright Knox Art Gallery.