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Investigates the varied forms of art practices in Hong Kong over the last decade. The author explores how and why the artists of the city engage in practices ranging from the most personal to the most socially oriented, with an interesting analysis of the works of about fifty local art practitioners and a representative range of art institutions.
Uses comparative aesthetics and the work of contemporary philosophers and sociologists to make sense of the developments of arts in Hong Kong. This title explores how different cultures communicate in the former colony.
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