Bøger af Fyodor Mikhailovich Dostoyevsky

"Through the story of the brilliant but conflicted young Raskolnikov and the murder he commits, Fyodor Dostoyevsky explores the theme of redemption through suffering. "Crime and Punishment" put Dostoyevsky at the forefront of Russian writers when it appeared in 1866 and is now one of the most famous and influential novels in world literature.The poverty-stricken Raskolnikov, a talented student, devises a theory about extraordinary men being above the law, since in their brilliance they think "new thoughts" and so contribute to society. He then sets out to prove his theory by murdering a vile, cynical old pawnbroker and her sister. The act brings Raskolnikov into contact with his own buried conscience and with two characters - the deeply religious Sonia, who has endured great suffering, and Porfiry, the intelligent and discerning official who is charged with investigating the murder - both of whom compel Raskolnikov to feel the split in his nature. Dostoyevsky provides readers with a suspenseful, penetrating psychological analysis that goes beyond the crime - which in the course of the novel demands drastic punishment - to reveal something about the human condition: The more we intellectualize, the more imprisoned we become."

The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The motif of the novella is a doppelgänger (Russian "dvoynik"). Golyadkin is a titular councillor. This is rank 9 in the Table of Ranks established by Peter the Great. As rank eight led to hereditary nobility, [3] being a titular councillor is symbolic of a low-level bureaucrat still struggling to succeed. Golyadkin has a formative discussion with his Doctor Rutenspitz, who fears for his sanity and tells him that his behavior is dangerously antisocial. He prescribes "cheerful company" as the remedy. Golyadkin resolves to try this, and leaves the office. He proceeds to a birthday party for Klara Olsufyevna, the daughter of his office manager. He was uninvited, and a series of faux pas lead to his expulsion from the party. On his way home through a snowstorm, he encounters his double, who looks exactly like him. The following two thirds of the novel then deals with their evolving relationship. At first, Golyadkin Sr. (the original main character) and Golyadkin Jr. (his double) are friends, but Golyadkin Jr. proceeds to attempt to take over Sr.'s life, and they become bitter enemies. Because Golyadkin Jr. has all the charm, unctuousness and social skills that Golyadkin Sr. lacks, he is very well-liked among the office colleagues. At the story's conclusion, Golyadkin Sr. begins to see many replicas of himself, has a psychotic break, and is dragged off to an asylum by Doctor Rutenspitz.

The Gambler was written under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky-who once gambled away his young wife's wedding ring-knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

The Possessed also translated as The Devils or Demons, is an 1872 novel by Dostoevsky. For an explanation of the marked difference in the English-language title, please see the section "Note on the title" below. An extremely political book, The Possessed is a testimonial of life in Imperial Russia in the late 19th century. As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoevsky casts a critical eye on both the left-wing idealists, exposing their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky, and is generally considered the culmination of his life's work. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880. Dostoevsky intended it to be the first part in an epic story titled The Life of a Great Sinner, but he died less than four months after its publication. The book portrays a parricide in which each of the murdered man's sons share a varying degree of complicity. On a deeper level, it is a spiritual drama of moral struggles concerning faith, doubt, reason, free will and modern Russia. Dostoevsky composed much of the novel in Staraya Russa, which is also the main setting of the novel.

The story opens with the narrator wandering the streets of St. Petersburg. He contemplates how he has always been a ridiculous person, and also, how recently, he has come to the realization that nothing much matters to him any more. It is this revelation that leads him to the idea of suicide. The narrator of the story reveals that he had bought a revolver months previous with the intent of shooting himself in the head. Despite a dismal night, the narrator looks up to the sky and views a solitary star. Shortly after seeing the star, a little girl comes running towards him. The narrator surmises that something is wrong with the girl's mother. He shakes the girl away and continues on to his apartment. Once in his apartment, the narrator sinks into a chair and places his gun on a table next to him. He hesitates to shoot himself because of a nagging feeling of guilt that has plagued him ever since he shunned the girl. The narrator grapples with internal questions for a few hours before falling asleep in the chair. As he sleeps, he descends into a very vivid dream. In the dream, he shoots himself in the heart. He dies but he is still aware of his surroundings. He gathers that there is a funeral and he is also buried. After an indeterminate amount of time in his cold grave, water begins to drip down onto his eyelids. The narrator begs for forgiveness. Suddenly his grave is opened by an unknown and shadowy figure. This figure pulls the narrator up from his grave, and then the two soar through the sky and into space. After flying through space for a long time, the narrator is deposited on a planet, one much like Earth, but not the Earth that he left through suicide. The narrator is then placed on what appears to be an idyllic Greek island, identified as the earth before the Fall. Soon the inhabitants of the island find him, and they are happy, blissful, sinless people. The narrator lives in this utopia for many years, all the while amazed at the goodness around him. One day the narrator accidentally teaches the inhabitants how to lie. This begins the corruption of the utopia. The lies engender pride, and pride engenders a deluge of other sins. Soon the first murder occurs. Factions are made, wars are waged. Science supplants emotion, and the members of the former utopia are incapable of remembering their former happiness. The narrator pleads with the people to return to their former state, or at least to kill him for his role in their Fall, but they will not allow it. The narrator then awakens. He is a changed man, thoroughly thankful for life and convinced of man's basic goodness and potential for incredible love. He dedicates his life to teaching the promise of a Golden Era, a time on earth where everyone loves his brother as he loves himself. At the conclusion of the story, the narrator states that he found the little girl, and that he will go on and on, presumably with the intent of atoning for his past lack of kindness.

The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The motif of the novella is a doppelgänger (Russian "dvoynik"), known throughout the world in various guises such as the fetch.

Written in the form of letters, it recounts a blossoming romance amid St. Petersburg's slums between a middle-aged writer and a much younger seamstress

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women-the notorious kept woman Nastasya and the pure Aglaia-both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.

The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The motif of the novella is a doppelgänger (Russian "dvoynik"), known throughout the world in various guises such as the fetch.

The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The motif of the novella is a doppelgänger (Russian "dvoynik"), known throughout the world in various guises such as the fetch.

The poverty-stricken Raskolnikov, believing he is exempt from moral law, murders a man only to face the consequences not only from society but from his conscience, in this seminal story of justice, morality, and redemption from one of Russia's greatest novelists.

Notes from Underground or Letters from the Underworld while Notes from Underground is the most literal translation) (1864) is a short novel by Fyodor Dostoevsky. It is considered by many to be the world's first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg.

Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a worthless vermin. He also commits this murder to test his own hypothesis that some people are naturally capable of such things, and even have the right to do them.