Bøger af Garry Wills

In Font of Life, Pulitzer Prize-winning author Garry Wills recounts a vital chapter in the history of the Church--the baptism of Augustine by Ambrose--while unveiling a rarely visited but critical landmark in the history of Western intellectual history.

In ?Negro President? the Pulitzer Prize?winning historian Garry Wills explores a pivotal moment in American history through the lens of Thomas Jefferson and the now largely forgotten Timothy Pickering, and ?prods readers to appreciate essential aspects of our distressed but well-intentioned representative democracy? (Chicago Tribune).In 1800 Jefferson won the presidential election with Electoral College votes derived from the three-fifths representation of slaves ? slaves who could not vote but were still partially counted as citizens. Moving beyond the recent revisionist debate over Jefferson's own slaves and his relationship with Sally Hemings, Wills instead probes the heart of Jefferson's presidency and political life, revealing how the might of the slave states remained a concern behind his most important policies and decisions.In an eye-opening, ingeniously argued exposé, Wills restores Timothy Pickering and the Federalists' dramatic struggle to our understanding of Jefferson, the creation of the new nation, and the evolution of our representative democracy.?Garry Wills is a thinker of first rate. He combines the vigor of the social critic with the depth of the historian, and to these he adds the even rarer gifts of the philosopher.? ? New Republic ?A thorough political analysis of another founding father's involvement in slavery.? ? San Francisco ChronicleGarry Wills, a distinguished historian and critic, is the author of numerous books, including the Pulitzer Prize?winning Lincoln at Gettysburg, Saint Augustine, the best-selling Why I Am a Catholic, and Henry Adams and the Making of America.

The essential Garry Wills, Lead Time offers a provocative view of a pivotal era in America from one of our most esteemed historians. In this collection of essays, written between 1968 and 1982, Wills explores American culture, politics, and mores, and demonstrates his astute and always interesting approach to his subjects, including Vietnam, Richard Nixon, Muhammad Ali, Pope John Paul II, and Ronald Reagan. Newly reissued with a new preface, this is a must-read from ?a mind that likes to range beyond the usual boundaries of periodical journalism? (New York Times).

In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "e;We have to read Augustine as we do Dante,"e; Wills writes, "e;alert to rich layer upon layer of Scriptural and theological symbolism."e; Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

This beautifully written and reasoned (Booklist) narrative by Pulitzer Prize-winning author Garry Wills examines what constitutes meaningful leadership, and why it is so essential to society.What makes a leader? How do we identify effective leadership, and how shouldand shouldntthat power be used? In Certain Trumpets, Garry Wills presents portraits of eminent leaders including FDR to Ross Perot, King David, Martha Graham, and many others, offering an illuminating lens for studying society and ourselves. Dividing these portraits into sixteen leadership categories ranging from military to charismatic, intellectual, rhetorical, and elected, Wills highlights what makes each of his subjects unique, crafting along the way a distinct and incisive definition of leadership as a reciprocal engagement between two contrasting wills that serves to mobilize us toward a common good, and explaining why leadership is so often a contentious and emotionally charged subject. A stunningly literate and thoughtful examination of what makes a leader[and] a welcome antidote to some of the more egregious management style drivel, (Kirkus Reviews), Certain Trumpets is an inspiring and edifying tour through the history of an indispensable social art.

The Pulitzer Prize-winning author of Lincoln at Gettysburg brings his eloquence, wit, and on-target perceptions of American life and politics to this fascinating, well-drawn protrait of a twentieth-century hero. In this work of great originalitythe biography of an ideaGarry Wills shows how John Wayne came to embody Amercian values and influenced our cultoure to a degree unmatched by any other public figure of his time. In Wills's hands, Waynes story is tranformed into a compelling narrative about the intersection of popular entertainment and political realities in mid-twentieth-century America.

Shakespeare's plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe's Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity's rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth's reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.