Bøger af George Melly

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Previous edition: London: Heinemann, 1997.

'The first serious attempt to analyse pop culture by someone who was part of it.' Julian Mitchell, GuardianThe redoubtable George Melly (1926-2007): flamboyant jazz singer, sexually ambiguous raconteur, prodigiously gifted critic. In the early sixties, at the birth of what we now recognise as the pop revolution, Melly began work as a broadsheet journalist, commenting upon this new cultural phenomenon. Revolt into Style (1970) is his first-hand account of those turbulent and exciting years when all things creative - whether music, fashion, film, art or literature - were changed utterly.Central to the book are The Beatles - the epitome of the swinging sixties - who charted the decade's changes and about whose significance the Liverpudlian Melly had a special feel and insight. Alongside the Fab Four is a large cast of movers and shakers, of wannabes and taste-makers, all dissected by Melly's surgical mind.

These weird and wonderful postcards show babies as never seen before. Babies hatch from eggs, bubblefrom cauldrons, are fished from rivers, emerge in the cabbage patch, sit atop clouds, and ride in zeppelins.They play instruments, drive automobiles, fly in balloons, harvest the fields; an anarchistic world of babyheaven.James Birch first came across the postcards when he was a student in Aix-en-Provence. ¿A froth of smilingbabies boiling away in a cauldron¿ caught his eye and he bought a small number of cards. He didn¿t reallypay much attention to the cards again until years later in the 1980s when he visited the Pompidou Centre foran exhibition on Surrealism. There in one of the display cases was a collection of fantasy baby postcardsshown for their inspirational importance to both the Dadaists and the Surrealists. He became hooked andstarted collecting.Despite the immensely varied subject matter of the postcards little is known of their history. They wereproduced from around 1900-1920 and were found from Russia, to Spain to Great Britain and most countriesin between, however the majority appear to be from Germany.The postcards were a source of inspiration to many artists in the 1920s and 30s, in particular to both theDadaists and the Surrealists. They were collected by Paul Eluard, Andre Breton, Salvador Dali, Hannah Hoch,Herbert Bayer, and Man Ray. The popular images excited inspiration in these artists because of theirboundless inventiveness.A foreword is written by George Melly whon was an acknowledged expert in the field of surrealism. Bestknown as a jazz and blues singer, writer and broadcaster, he was also an art critic and a devotee of theSurrealists. This is one of the last pieces he wrote before his death in 2007 at the age of 80.

This single volume includes three famous memoirs - Scouse Mouse, Rum, Bum & Concertina and Owning Up, with a new introduction by the author. Scouse Mouse is a funny and frequently touching story of the author's 1930s childhood in a middle-class Liverpudlian household. Rum, Bum & Concertina, the naval equivalent of wine, women and song, describes Melly's National Service as one of the most unlikely naval ratings ever. He becomes an anarchist and connoisseur of Surrealist Art while self-educating himself on some of the wilder shores of love. Once demobbed, Melly comes to London to work in an art gallery, and in Owning Up he describes how he slipped into the world of the jazz revival, revelling in an endless round of pubs, clubs, seedy guest-houses and transport caffs while surrounded by a mad array of musicians, tarts, drunks and arch-eccentrics.