Bøger af Gerolamo Rovetta

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

""Alla Citt������ di Roma: Commedia in Due Atti"" ����� un'opera teatrale scritta da Gerolamo Rovetta nel 1898. La commedia racconta la storia di un gruppo di personaggi che si recano a Roma per cercare fortuna e successo. Tra di loro ci sono un poeta, un avvocato, un artista e una ballerina. La commedia si sviluppa attraverso una serie di situazioni divertenti e imbarazzanti, che mettono in luce le debolezze dei personaggi. La trama si dipana in modo ironico e sarcastico, con un finale a sorpresa che lascia il pubblico soddisfatto. ""Alla Citt������ di Roma: Commedia in Due Atti"" ����� un'opera che riflette l'atmosfera della Roma dell'epoca, con i suoi contrasti sociali e culturali, e rappresenta un ritratto satirico della societ������ italiana del tempo.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Nora piombò nella saletta come un fulmine. - Ho fame! Ho fame! - Poi gridò, chiamando e voltandosi verso l'uscio della cucina: - Gioconda! Presto! La colazione! - La Gioconda, - rispose Evelina, senza alzare il capo nè la voce, - la Gioconda l'ho mandata adesso alla posta. Torna subito. - E continuò a scrivere, curva, tutta addosso alla tavola, colla faccia sulle cartelle. Nora, stizzita, si sbottonò d'un colpo, con una sola strappata, la giacchettina blu dagli occhielli un po' logori, poi brontolando, cominciò a camminare in su e in giù per la saletta.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Collera CiEca; Volume 2 Of Teatro Di Gerolamo Rovetta; Volume 2 Of Plays; Gerolamo Rovetta 3 Gerolamo Rovetta Baldini, Castoldi, 1899

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Due seccature, una leggera, l'altra assai grave e pericolosa, turbavano il buon umore e il successo del direttore delle Risorse italiche, segretario generale della Cisalpina. La seccatura piccola, un'inezia, ma insistente, irritante come la punzecchiatura di una mosca, era Paolo Jona colla sua Durlindana. Ormai la Navigazione e Matteo Cantasirena facevano le spese di tutto il giornale umoristico. Appena affisso il manifesto del Comitato, la Durlindana, subito, era uscita con una grande caricatura a colori: Mosè salvato dalle acque. E Mosè, si capisce, era Matteo Cantasirena, le acque i debiti, le cambiali, i protesti; l'Arca, la Cisalpina, le vele il giornale le Risorse italiche, gonfiate...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Deshonor: Drama En Tres Actos Gerolamo Rovetta R. Velasco, 1906

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Era la mattina dell'ultimo di gennaio del 1842, o del 1843, salvo il vero, e Milano, come quasi sempre le succede in quel torno, era tutta avvolta nella nebbia; una nebbia bigiognola, bassa, fitta fitta, proprio (si diceva così anche allora) da tagliar col coltello. Tuttavia, nemmeno col freddo nè col tempaccio, Pompeo Barbetta, che per colazione s'era ben bene impinzato di panna e di burro, non avea voluto rinunziare alla sua passeggiata per fare il chilo, e mentre l'orologio della torre dei Mercanti batteva le dieci e mezzo, egli, lemme lemme, sbucava, tutto inferraiolato e col naso sepolto nel bavero, da una delle tante stradette che facevano capo in Piazza del Duomo.

Francesco Alamanni conservava ancora nella sua maschia natura di cospiratore e di soldato le idealità e i poetici entusiasmi dei vecchi romantici del quarantotto. Buono come chi è veramente forte, indulgente come chi è profondamente onesto, era ottimista fino a parere ingenuo. Per le molteplici vicende della sua vita avventurosa, trascorsa fra le cospirazioni, il carcere, l'esilio e le battaglie, non avea avuto tempo nè agio per imparare a conoscer uomini, specialmente gli uomini moderni, e per acquistare la pratica, la vera pratica, delle cose.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Signorina: Romanzo 16 Gerolamo Rovetta Baldini, Castoldi & Company, 1903

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Quest'opera (edizione rilegata) fa parte della collana di libri TREDITION CLASSICS. La casa editrice tredition di Amburgo pubblica nell'ambito della collana TREDITION CLASSICS opere datate piu di 2000 anni. Queste opere erano in gran parte esaurite o reperibili solo come pezzi d'antiquariato. La serie di libri contribuise a preservare la letteratura e a promuovere la cultura. Essa aiuta inoltre ad evitare che migliaia di opere cadano nel dimenticatoio. L'obiettivo della serie e di ripubblicare migliaia di classici della letteratura mondiale in diverse lingue... in tutto il mondo!

Il Tenente dei Lancieri ����� un romanzo scritto da Gerolamo Rovetta nel 1896. La trama ruota attorno al personaggio principale, il Tenente dei Lancieri, un ufficiale dell'esercito italiano che si trova coinvolto in una serie di avventure e intrighi durante la sua carriera militare. Il romanzo esplora temi come l'onore, la lealt������ e la fedelt������, mentre segue il Tenente attraverso una serie di situazioni difficili che lo mettono alla prova. La narrazione ����� ricca di dettagli storici e militari, offrendo una visione accurata dell'Italia del XIX secolo. Il Tenente dei Lancieri ����� un libro appassionante e coinvolgente, che offre un'immersione completa nella vita militare dell'epoca.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

""Papa Eccellenza: Dramma in tre atti"" ����� un'opera teatrale scritta da Gerolamo Rovetta nel 1908. La storia si svolge in un paese di campagna italiano e ruota attorno al personaggio principale, il Vescovo, che viene chiamato ""Papa Eccellenza"". La trama si concentra sulla lotta del Vescovo per mantenere il potere e la sua posizione nella Chiesa, nonostante le pressioni politiche e sociali che lo circondano. Il dramma esplora anche i temi della corruzione, dell'ipocrisia e della moralit������ nella Chiesa cattolica. La pi�����ce ����� stata un successo al momento della sua pubblicazione e ha continuato ad essere rappresentata in Italia e all'estero.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Papa Eccellenza: Dramma In Tre Atti"" ����� un'opera teatrale scritta nel 1908 da Gerolamo Rovetta. La trama si svolge in un paesino italiano e segue le vicende del vescovo locale, soprannominato ""Papa Eccellenza"", e dei suoi rapporti con i fedeli e con il clero. Il dramma mette in luce i conflitti tra il mondo religioso e quello secolare, e l'ambizione e la corruzione che possono insinuarsi anche tra i rappresentanti della Chiesa. Il testo ����� stato apprezzato per la sua profondit������ psicologica dei personaggi e la sua capacit������ di rappresentare la vita quotidiana in una comunit������ italiana.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Estratto: ...-Che cosa medita il monsieur? Mi sembra sospiroso, malinconico. Maddalena, diritta sulla seggiola, rideva ironicamente, stirandosi il lungo tovagliolo bianco sul petto rigonfio. -Anch'io, anch'io avrei potuto essere la simpaticona, la tres sympathique di qualcuno! Daniele allibi; il sangue gli dette un tuffo. -La signorina Fanny-penso ad un tratto, e istintivamente chiuse gli occhi, abbasso il capo, sprofondo sulla seggiola.-La signorina Fanny!-Sua moglie sospettava, sua moglie aveva scoperto la verita! Proprio cosi: Daniele lo seppe quella sera stessa dallo stesso Giacomino, il quale cercando le sue lettere-saperlotte!-non le aveva piu trovate. La signora Trebeschi, da donna pratica e avveduta, aveva subito pensato che il conto del cameriere del Caffe del Teatro non doveva essere il solo debito di Giacomino, e che quel malvivente non aveva certo bevuto da solo tanto cognac, tanto marsala, per centocinquanta lire. Appena ebbe visto Giacomino uscir con suo padre, sali in fretta nella, sua camera, frugo, rovisto in tutti i cassetti, trovo le lettere minacciose dell'orefice, trovo i conti della Ville de Paris, della Citta di Vienna... e finalmente anche le lettere di Fanny, le prime. Dopo, la cavallerizza aveva scritto meno, e Giacomino aveva sempre stracciato tutto. E quelle prime letterine tra il sentimentale e lo scherzoso, mezzo in francese, mezzo in italiano; scritte per lo piu per ringraziare di qualche regaluccio, finivano sempre con una stretta di mano, coi saluti pel signor Daniele. Bien des compliments a quel caro simpaticone, a monsieur votre pere. Maddalena, a tale scoperta, aveva riso del marito facendo una sdegnosa alzata di spalle, ma tutta la sua collera, anche la sua collera di moglie offesa, si riverso sul capo di Giacomino, del figlio scellerato. -E riuscito a depravare anche quell'innocente semplicione. Giacomo! Giacomo!-Essa lo aveva sempre preveduto. Ecco il pericolo della casa; la...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.