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Carlo Gesualdo, Prince of Venosa (1560-1613), is equally celebrated as the composer of madrigals of great power and tortured complexity and as the murderer of his wife and her lover. His life and compositions are not unconnected. His neurotic sensibility found an ideal outlet in the Mannerist tendencies of late Renaissance music, and his works are the most extreme examples of these tendencies.
A riveting investigation of one of the most provocative musicians of the Renaissance, who continues to captivate composers, artists, and audiences today.
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