Bøger af Hélène Cixous

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

The first book by Helene Cixous on painting and the contemporary arts. These 11 chapters bring together Helene Cixous' writings about specific contemporary artists and artworks. Neither simply 'art criticism' nor critical essays, Cixous responds to these

This book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Helene Cixous is an account of her experience of recovered sight after a lifetime of severe myopia; Jacques Derrida's "A Silkworm of One's Own" muses on a host of motifs, including his varied responses to "Savoir."

The texts that comprise this volume were selected from Cixous' seminars on the work of Clarice Lispector. They reflect Cixous' meditations on the art of reading, writing and related themes such as giving and loving as well as trace the influence of Lispector on Cixous' own development.

An exploration into the "strange science of writing", in which the author reflects on the writing process and explores three distinct areas essential for "great" writing: the crucial role dreams play in literary inspiration; the importance of depth; and the notion of death.

"I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?"--Hélène Cixous, from Dream I Tell You For years, Hélène Cixous has been writing down fragments of her dreams immediately after awaking. In Dream I Tell You, she collects fifty from the past ten years. Cixous's accounts of her dreamscapes resist standard psychoanalytic interpretations and reflect her lyrical, affecting, and deeply personal style. The dreams, reproduced in what Cixous calls both their "brute and innocent state," are infused with Cixous's humor, wit, and sense of playfulness. Dreams have always been a crucial part of Cixous's writing. They are her archives and it is with them that she writes. Without dreaming, Cixous writes, "I would crumble to dust." As in many of her other texts, Cixous's mother, father, daughter, and friends populate this work, which offers artistic and provocative meditations on the themes of family, death, and resurrection. Scenes of a daily life-getting a haircut, caring for her child, preparing for work-become beautifully and evocatively skewed in Cixous's dreams. She also writes of dreams, both amusing and unsettling, in which she spends an evening with Martin Heidegger, has her lunch quietly interrupted by a young lion, flees the Nazis, and tours Auschwitz. The "you" of the title is fellow philosopher and friend Jacques Derrida, to whom these texts are addressed. The book reflects on many of the subjects the two grappled with in their work and in conversation: the deconstruction of psychoanalysis, literary production, subjectivity, sexual difference, and the question of friendship.

These interviews with Hélène Cixous offer invaluable insight into her philosophy and criticism. Culled from newspapers, journals, and books, White Ink collects the best of these conversations, which address the major concerns of Cixous's critical work and features two dialogues with twentieth-century intellectuals Michel Foucault and Jacques Derrida. The interviews in White Ink span more than three decades and include a new conversation with Susan Sellers, the book's editor and a leading Cixous scholar and translator. Cixous discusses her work and writing process. She shares her views on literature, feminism, theater, autobiography, philosophy, politics, aesthetics, religion, ethics, and human relations, and she reflects on her roles as poet, playwright, professor, woman, Jew, and, her most famous, "French feminist theorist." Sellers organizes White Ink in such a way that readers can grasp the development of Cixous's commentary on a series of vital questions. Taken together, the revealing performances in White Ink provide an excellent introduction this thinker's brave and vital work--each one an event in language and thought that epitomizes Cixous's intellectual and poetic force.

This book is an account of, and commentary on, a collection of dreams by the novelist, playwright and theorist Helene Cixous. As such the book presents a rich poetic experience and is a key document in understanding Cixous' writing practice. Jacques Derrida's commentary on Dream I Tell You is published in 'The Frontiers of Theory' series as Geneses, Genealogies, Genres and Genius.Key Features* Importance of Helene Cixous to contemporary literary and French feminist theory.* The poetic, autobiographical quality of the writing.* Significance of the book to the Cixous oeuvre.

An inventive literary account of Cixous's remarkable journey to her mother's birthplace and of the Jewish community of a German town that was wiped out in the Holocaust.

Masterfully translated by Laurent Milesi, this book preserves the sonic complexities and intricate wordplay at the core of author's writing, and reveals the struggles, ideas, and intents at the center of her work.

The first translation into English of Mother Homer is Dead, written in the immediate aftermath of the death of the Cixous's mother in the 103rd year of her life.

We defy augury. There‿s a special providence in the fall of a sparrow. If it be now, ‿tis not to come ‿ the readiness is all. Under the sign of Hamlet‿s last act, Hélÿne Cixous, in her eightieth year, launched her new book‿and the latest chapter in her Human Comedy, her Search for Lost Time. Surely one of the most delightful, in its exposure of the seams of her extraordinary craft, We Defy Augury finds the reader among familiar faces. In these pages we encounter Eve, the indomitable mother; Jacques Derrida, the faithful friend; children, neighbors; and always the literary forebears: Montaigne, Diderot, Proust, and, in one moving passage, Erich Maria Remarque. We Defy Augury moves easily from Cixous‿s Algerian childhood, to Bacharach in the Rhineland, to, eerily, the Windows on the World restaurant atop the World Trade Center, in the year 2000. In one of the most astonishing passages in this tour-de-force performance of the art of digression, Cixous proclaims: “My books are free in their movements and in their choice of routes [‿] They are the product of many makers, dreamed, dictated, cobbled together.â€? This unique experience, which could only have come from the pen of Cixous, is now available in English, and readers are sure to delight in this latest work by one of France‿s most celebrated writer-philosophers. Â

Presents the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure.

Helene Cixous is among the most influential and original literary critics and feminist thinkers. This volume features a collection of pages from her writing notebooks, offering an insight into her radical thought and work. It ranges across the spectrum of Cixous' writing, including the concept of ecriture feminine.

Death Shall Be Dethroned is the shadow book of Los, a Chapter, Helene Cixous tells us. It came along after Los, but it was always there "hidden" in her notebooks, in the Beethoven notebook, say, the one Jacques Derrida gave her. But when it tapped at the window, she ignored it until the day she had to let it in.

Helene Cixous has dreamed for years of "The Book-I-Don't-Write," but each time she approaches it, it withdraws. The-Book-I-Don't-Write is always just out of reach.

* Cixous is generally regarded as one of the leading, if not the leading French feminist author writing today. * This book tells the story of how the author re-discovers a box from the past, containing a book manuscript from over fifty years ago. This leads to reflections on literary creativity, memory, identity and dreams.

Isn t it particularly difficult to 'speak' of your work? Frederic-Yves Jeannet asks Helene Cixous in this fascinating book of interviews. [I]t s only in writing, on paper, that I reach the most unknown, the strangest, the most advanced part of me for me.

* Cixous is generally regarded as one of the leading, if not the leading French feminist writer. * All of her books tend to be written as philosophical novels, combining elements of autobiography and fiction with reflection of a more philosophical and psychoanalytic kind.

Twists and Turns is a tale on the scale of Greek myth, about the inescapable entanglements of family relationships, that can lead one, in hyperbolic mode, to envision murder and suicide, for, as Cixous writes, "with love's force one hates. " And yet, "everything twists and turns": this is a tale with profoundly touching reversals.

* Cixous is generally regarded as one of the leading French feminist writers, if not the leading French feminist writer. * All of her books tend to be written as philosophical novels, combining elements of autobiography and fiction with reflection of a more philosophical and psychoanalytic kind.

Philippines is Helene Cixous's reverie or 'truedreaming' which intertwines Freud's uneasy views on telepathy,autobiographical memories conflating Algeria and Paris, childhoodand adult life, shared with her brother 'Pete', and literaryevocations from Proust and George du Maurier's forgotten novelPeter Ibbetson.

Zero's Neighbour is Helene Cixous's tribute to the minimalist genius of the artist in exile who courted nothingness in his writing like nobody else: Samuel Beckett.

In So Close , the internationally renowned writer Helene Cixous recounts a return to her native Algeria after a more than thirty-year absence. Before she can decide to go, she must sift through large parts of her past in a land where she never felt at home and, from a young age, knew she must leave.

This anthology brings together some of the most significant play texts from the latter half of the 20th century. Written by renowned French theorist Helene Cixous and brought to life on the European stage by the "Theatre du Soleil", some of the plays are here published in English translation.

Helene Cixous is one of France's leading contemporary writers. This new book is a work of fiction about the most implacable of human certainties - death. It explores death, mourning and loss by means of a poetic fiction: imagining a magic telephone through which one can open up a lifeline to departed loved ones.

A collection that presents a commentary on the subjects at the heart of Helene Cixous' writing. It discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world.