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HAVING been repeatedly urged by numerous friends on both sides of the Atlantic to set forth a few of the difficulties attending the career of an impresario, who, during the last thirty years, has fought many operatic battles, I have undertaken the task, having at the present moment for the first time in my recollection a few weeks of comparative repose before again renewing my lyrical campaigns. I willingly sat down to the work, trusting that an account of the few partial defeats and the many brilliant victories incident to my life may be found interesting. This being my first appearance as an author, I am naturally unpractised in the artifices of style familiar to more experienced hands. Some of my plain statements of facts will not, I fear, be fully appreciated by the personages to whom they refer; and in case they should feel offended by my frankness, I ask their pardon beforehand, convinced that they will readily accord it.
The Mapleson Memoirs V2: 1848-1888 is a book written by James Henry Mapleson and published in 1888. This is the second volume of his memoirs, covering the years from 1848 to 1888. Mapleson was a well-known figure in the world of opera, having worked as a manager and impresario for many years. In this book, he recounts his experiences in the opera world, including his interactions with famous singers and musicians, his struggles with finances and management, and his travels to various opera houses around the world. The book is a fascinating glimpse into the world of opera during the 19th century, and provides valuable insights into the challenges and triumphs of those who worked in the industry. Overall, The Mapleson Memoirs V2: 1848-1888 is a must-read for anyone interested in the history of opera and the performing arts.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Mapleson Memoirs V2: 1848-1888 (1888) is a book written by James Henry Mapleson. It is the second volume of his memoirs and covers the period from 1848 to 1888. Mapleson was a well-known figure in the world of opera, serving as the manager of the Royal Italian Opera at Covent Garden in London for many years. In this book, he provides a detailed account of his experiences in the opera world during this time period, including his interactions with famous singers and conductors, the challenges he faced in managing the opera house, and the various productions he was involved in. The book also includes personal anecdotes and reflections on his life and career. Overall, The Mapleson Memoirs V2: 1848-1888 (1888) provides a fascinating glimpse into the world of opera in the late 19th century, as seen through the eyes of one of its most prominent figures.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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