Bøger af James R Russo

André Bazin (1918-58) was renowned for almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as for being the spiritual father of the French New Wave. In 1951, Bazin co-founded and became editor-in-chief of Cahiers du Cinéma, the most influential critical periodical in the history of cinema. Five of the film critics whom he mentored at that magazine later became the most acclaimed directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Éric Rohmer, Jacques Rivette, and Claude Chabrol. Bazin is also considered to be the principal instigator of the highly influential auteur theory-the idea that, since film is an art form, the director of a movie must be perceived as the chief creator or "author" of its unique cinematic style.In his relatively brief lifetime, Bazin wrote some 2,600 articles and reviews, only about 200 of which are accessible in anthologies or edited collections-and most of these are theoretical pieces.The Practical Critic: André Bazin on Film, 1945-1958 offers critical reviews of notable individual films: Scarface, Citizen Kane, The Seven Samurai, The Great Dictator, It's a Wonderful Life, On the Waterfront, Rebel Without A Cause, Aparajito, Miracle in Milan, Touch of Evil, East of Eden, Ivan the Terrible, The Best Years of Our Lives, La Strada, High Noon, and The Bridge on the River Kwai. The Practical Critic also features a contextual introduction to Bazin's life and work, a Bazin bibliography, a selection of film stills, and a comprehensive index. This book represents a major contribution to film studies and a testament to the continuing influence of one of the world's pre-eminent cultural critics.

Cahiers du Cinema: Interviews with Film Directors, 19531970 brings together eighteen directorsOtto Preminger, Roberto Rossellini, John Ford, Howard Hawks, Max Ophuls, Nicholas Ray, Orson Welles, Fritz Lang, Alain Resnais, Jean-Luc Godard, Francois Truffaut, Michelangelo Antonioni, Carl-Theodor Dreyer, Federico Fellini, Robert Bresson, Joseph L.

Beyond inspiring the New Wave movement and continuing to reflect, and reflect on, its central tenets, Rivettes enduring contribution to the history of film is unquestionably evident in his sensitive treatment of the histories and destinies of women, especially through strong roles for actresses.

Analyzing Film: A Student Casebook is a film textbook containing fifteen essays about sixteen historically and artistically significant films made between 1920 and 1990. This casebook is geographically diverse, with sixteen countries represented: Germany, Russia, Spain, France, the United States, Denmark, Japan, India, England, Italy, Sweden, Czechoslovakia, Cuba, Hungary, Australia, and China. The essays in Analyzing Film are clear and readable-sophisticated and weighty, yet not overly technical or jargon-heavy. The book's critical apparatus features credits, images, and bibliographies for all films discussed, filmographies for all the directors, a chronology of film theory and criticism, a glossary of film terms, a guide to film analysis, and a list of topics for writing and discussion, together with a comprehensive index.