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This work explores the interrelationships between contemporary female musicians and eighteenth- and nineteenth-century art, music, and literature by women and men, interrogating how each sheds light on the other, and how women have appropriated, responded to, and been inspired by the work of authors from previous centuries.
Apocalyptic nightmares that humanly-created intelligences will one day rise up against their creators haunt the western creative imagination. This study applies Kierkegaard's "Concept of Anxiety" to Blake's creation myths to explain how Enlightenment personality conceptions created fear of independently thinking beings.
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