Bøger af Jan M. Ziolkowski

Harvard Studies in Classical Philology, Volume 112 includes Olga Levaniouk, ¿The Dreams of Bar¿in and Penelope¿; Paul K. Hosle, ¿Bacchylides¿ Theseus and Vergil¿s Aristaeus¿; Vayos Liapis, ¿Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus¿; and other new essays on Greek and Roman Classics.

A companion to the first-ever English translation of Nigel of Canterbury¿s Miracles of the Virgin, published alongside the Latin in the Dumbarton Oaks Medieval Library. This supplement offers an extensive commentary to facilitate appreciation of the Miracles as poetry by a medieval writer deeply imbued in the long tradition of Latin literature.

The papers collected in The Loeb Classical Library and Its Progeny explore the legacy for which James Loeb is best known, the Loeb Classical Library, and the three series it inspired, and take stock of these series in light of more general themes bearing on translations of "classical" texts and their audiences.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a "e;night journey"e; taken by Muhammad.Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur'an and of Islamic philosophy and science in Dante's day and explores the bases for Dante's images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.