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Taking Haiku Places It Was Never Meant To GoA Warped and Twisted Take on PiratesIf you love short 17-syllable poems about nature and the sublime this book is not for you. But, if you enjoy dark humor and have an affinity for pirates, you need this book. This collection of over 400 poems delves into every aspect of what it means to be a pirate.The book is divided into ten chapters, each with a different pirate theme.The haiku in this book are funny, dark, and occasionally in bad taste. But, they are never boring.Author Jason McBride prides himself on being able to write haiku on just about any topic. In this first book of the Twisted Haiku Series, he takes the ancient Japanese poetry form and throws out the rulebook. Each haiku still has the familiar 5-7-5 syllable pattern, but these poems are anything but traditional. If you want to read haiku about torture, gunpowder, the dangers of snoring on a pirate ship, and much more, you'll love Pirate Haiku.
Looking for a Chilling Read?Horror Haiku Will Make You Want to Sleep With the Lights OnThis poetry collection is not for the faint of heart. Inside you will find both ferocious creatures and human monsters. You will discover new phobias. Reading this haiku may give you the sensation that the walls on closing in, that your house is full of sinister, unexplained noises, and that the spider you lost track of is in your bed.Proceed at your own risk.Jason McBride is a weird poet and author of Pirate Haiku. Horror Haiku has over 500 poems that explore the dark side of life, while always leaving at least a glimmer of hope. Each poem is like a mini horror story. Horror Haiku is part poetry and part flash fiction.As one fan put it:"Jason's work is wonderfully disturbing."
Featured on the Most Anticipated lists for Town & Country, Book Riot, Lit Hub, Publishers Weekly, Autostraddle, and Lambda Literary. ';It's shocking to learn that this is McBride's first book...Eat Your Mind does everything a good biography should and more' —Los Angeles Times The first full-scale authorized biography of the pioneering experimental novelist Kathy Acker, one of the most original and controversial figures in 20th-century American literature';Twenty-five years after her death, Acker is having a resurgence.' —The New York Times Kathy Acker (1947–1997) was a rare and almost inconceivable thing: a celebrity experimental writer. Twenty-five years after her death, she remains one of the most original, shocking, and controversial artists of her era. The author of visionary, transgressive novels like Blood and Guts in High School; Empire of the Senseless; and Pussy, King of Pirates, Acker wrote obsessively about the treachery of love, the limitations of language, and the possibility of revolution. She was notorious for her methods—collaging together texts stolen from other writers with her own diaries, sexual fantasies, and blunt political critiques—as well as her appearance. With her punkish hairstyles, tattoos, and couture outfits she looked like no other writer before or after. Her work was exceptionally prescient, taking up complicated conversations about gender, sex, capitalism, and colonialism that continue today. Acker's life was as unruly and radical as her writing. Raised in a privileged but oppressive Upper East Side Jewish family, she turned her back on that world as soon as she could, seeking a life of romantic and intellectual adventure that led her to, and through, many of the most thrilling avant-garde and countercultural moments in America: the births of conceptual art and experimental music; the poetry wars of the 60s and 70s; the mainstreaming of hardcore porn; No Wave cinema and New Narrative writing; Riot grrls, biker chicks, cyberpunks. As this definitive biography shows, Acker was not just a singular writer, she was also a titanic cultural force who tied together disparate movements in literature, art, music, theatre, and film. A feat of literary biography, Eat Your Mind is the first full-scale, authorized life of Acker. Drawing on exclusive interviews with hundreds of Acker's intimates as well as her private journals, correspondence, and early drafts of her work, acclaimed journalist and critic Jason McBride offers a thrilling account and a long overdue reassessment of a misunderstood genius and revolutionary artist.
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