Bøger af Jay Sanders

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Explores three performance art practices of the 1970s and early 1980s: "object theater"; "loft performance"; and "new psychodrama". By tracing the paths of such artists as Stuart Sherman, Julia Heyward, Jared Bark and Jill Kroesen, this title makes visible a critical period in the development of performance art.

The installations, books, films and plays of Guy de Cointet (1934-1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. Long esteemed by artists and critics but little exhibited until recently, his work has been the subject of considerable renewed interest over the past decade or so. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.