Bøger af Jerome Loving

In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works.

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality-for, as one reviewer put it, its depiction of "e;the godless side of American life."e; It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars-through the roaring twenties, the stock market crash, and the Depression-and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.

UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer's death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain's life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.

In 1865 Walt Whitman was dismissed from his clerkship in the Department of the Interior because Secretary James Harlan judged Leaves of Grass indecent, unfit to be read aloud "by the evening lamp." Most eloquent among Whitman's defenders was William Douglas O'Connor, whose pamphlet The Good Gray Poet, a panegyric to Whitman and an attack on literary censorship in general and Harlan in particular, was the first of his many heroic if sometimes excessive efforts in Whitman's behalf. A gifted polemicist and a stout though not always judicious advocate of causes (he wrote several screeds favoring Bacon as the author of Shakespeare's works), O'Connor devoted much of his literary life to establishing Whitman and Leaves of Grass in the world of American letters. Whitman considered O'Connor his staunchest "literary believer and champion from the first and throughout . . . for twenty-five years," and indeed, despite a personal estrangement between the two men, O'Connor's support of Whitman the poet never wavered. O'Connor's own literary efforts may command little interest today, but his championship of Whitman as a great, original American poet rendered lasting service to literature. Appropriately, this study of his career is complemented by carefully annotated texts of six of his Whitman essays, including The Good Gray Poet. A complete O'Connor bibliography is also included.

A critical biography of Walt Whitman. It offers insights into many aspects of the poet's life, including his attitudes toward the emerging urban life of America, his relationships with his family members, his developing notions of male-male love, his attitudes toward the vexed issue of race, and his insistence on the union of American states.