Bøger af Joel Engel

This landmark first biography of Rod Serling offers fascinating insights into his life, from the nearly idyllic childhood that he could never recapture to the haunting World War II experiences that informed his imagination and his sudden emergence as one of television's Golden Age luminaries, responsible for shaping the medium itself.Last Stop, The Twilight Zone paints a startling picture of the complex, unhappy man beneath Serling's gregarious yet suave public persona. Despite receiving critical and popular acclaim, Serling was doubtful of his own talent, compulsively accepting nearly any job offered, from writing to pitching products. Prolific by any measure, he felt imprisoned by his most famous creation, The Twilight Zone. Here is the Rod Serling we never knew, the man whose success overshadowed his ambitions and, eventually, his life-a life that ended long before it should have.

Los Angeles, 1956. Glamorous. Prosperous. The place to see and be seen. But beneath the shiny exterior beats a dark heart. For when the sun goes down, L.A. becomes the noir city of James Ellroy's L.A. Confidential or Walter Mosley's Easy Rawlins novels. Segregation is the unwritten law of the land. The growing black population is expected to keep to South Central. The white cops are encouraged to deal out harsh street justice. In L.A. '56, Joel Engel paints a tense, moody portrait of the city as a devil weaves his way through the shadows.While R&B and hot jazz spill out of record shops and clubs and all-night burger stands, Willie Fields cruises past in his dark green DeSoto, looking for a woman on whom he can bestow the gift of his company. His brilliant idea: Buy a tin badge in the five-and-ten to go along with his big flashlight and Luger and pretend to be an undercover vice cop. The young white girls doing it with their boyfriends in the lovers' lanes dotting the L.A. hills would never say no to a cop. Into the car they go for a ride downtown on a "morals charge," before he kicks out the young man in the middle of nowhere and takes the girl for a ride she'll spend a lifetime trying to forget.There's a bad guy on the loose in the City of Angels.Enter Detective Danny Galindo-he'd worked the Black Dahlia case back in '47 as a rookie. The suave Latino-one of the few in the department-is able to move easily among the white detectives. Maybe it's all those stories he's sold to Jack Webb for Dragnet. When Todd Roark, a black ex-cop, is arrested, Galindo knows he's innocent. But there's no sympathy for Roark among the white cops on the LAPD; Galindo will have to go it alone.There's only one problem: The victims aren't coming forward. The white press ignores the story, too, making Galindo's job that much more difficult. And now he's fallen in love with one of the rapist's first victims. If he's ever found out, he can kiss his badge good-bye.With his back up against a wall, Galindo realizes that it will take some good old-fashioned Hollywood magic to take down a devil in the City of Angels.

This book introduces the men and women responsible for the screenplays that have produced some of the most successful and acclaimed films in Hollywood history.

To effect just outcomes the justice system requires that law enforcement officers, prosecutors, and judges be committed-above all-to doing justice. Those whose allegiance is to winning, regardless of evidence, do the opposite of justice: they corrupt the system. This is the jaw-dropping story of one such corruption and its surprise ending.On Labor Day 2007, a forest fire broke out in California's eastern Sierra Nevada and eventually burned about 65,000 acres. Investigators from the California Department of Forestry and Fire Protection and the United States Forest Service took a mere two days to conclude that the liable party was the successful forest-products company Sierra Pacific Industries (SPI), founded as a tiny sawmill nearly sixty years earlier by Red Emmerson. The investigative report on the fire declared that SPI's independent logging contractor had started the conflagration by driving a bulldozer over a rock, creating a spark that flew into a pile of brush. No fire had ever been proven to start that way, but based on the report the U.S. Department of Justice and California's attorney general filed nearly identical suits against Emmerson's company. The amount sought was nearly a billion dollars, enough to bankrupt or severely damage it. Emmerson, of course, fought back.Week by week, month by month, year by year, his lawyers discovered that the investigators had falsified evidence, lied under oath, fabricated science, invented a narrative, and intentionally ignored a mountain of exculpatory evidence. They never pursued a known arsonist who was in the area that day, nor a young man who repeatedly volunteered alibis contradicted by facts. Though the government lawyers had not known at the start that the investigation was tainted, they nonetheless refused to drop the suits as the discovery process continued and dozens of revelations made clear that any verdict against Emmerson's company would be unjust.Scorched Worth is a riveting tale that dramatizes how fragile and arbitrary justice can be when those empowered to act in the name of the people are more loyal to the bureaucracies that employ them than to the people they're supposed to serve. It's also the story of a man who refused to let the government take from him what he'd spent a lifetime earning.