Bøger af John Brady

A comprehensive analysis of the calendar, including its history, origins, and various cultural manifestations. The book also includes a detailed examination of key holidays and traditions associated with the calendar.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1815 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A screenwriter needs to research Dublin's violent criminals, but falls prey to gangster chic. How deep is too deep for his research? Ireland's Hundred Thousand Welcomes continues to draw immigrants to its faltering Celtic Tiger economy. For those hundreds of thousands of Poles - Catholic, hard-working, white and like the Irish, survivors of an overbearing neighbour - Ireland works. But the Tiger devours too. Barely a week in Ireland. 20-year-old Tadeusz Klos lies in a coma on a rainswept Dublin street. He will not survive. This murder is a tipping point. Gang violence has made Dublin's streets a battleground. Media outrage in Poland and Ireland push the Gardaí to come up with answers. Should the fabled specialist Murder Squad really have been disbanded three years ago? Minogue is suddenly in demand. 'Whatever you need' he is told. With the Polish embassy pressing for answers, Garda brass passes on the pressure to Minogue. Yet Minogue's arrival is already resented in the city Garda station into which he has been parachuted. With little to go on, Minogue soon forms a picture of a chance event: bad timing, a swarm of drunken youths, racist impulses finding an outlet. Hecontinues to call in favours, and slowly that picture begins to cloud and turn to a different story entirely. Tadeusz Klos was no angel either. He was involved in petty crime back in Poland. Ready or not, Minogue is about to drop down a crevasse into Dublin's underworld. Not far from the busy world-class shopping and the crowded nightclubs, is where drug lords and their hired killers rule. 'The Celtic boom may have busted but it has left behind the crime that comes with prosperity. There are no happy endings with John Brady, no pulled punches. There is justice, and heartbreak, and the knowledge that the streets will be just as dirty and dangerous tomorrow.' - National Post (Canada)

This Is A New Release Of The Original 1815 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The body on the beach was that of a young man. he had been shot in the head at close range. Professionally. In the third of the Inspector Minogue series, a body washed up on a beach is the son of a prominent Irish family - but there is a catch: 'He's one of our own all right, but a Jew nonetheless.' Paul Fine was the son of a prominent judge whose family had lived in Dublin for generations and who had played a key role in the city's small, complex Jewish community. The evidence seems to point to a Palestinian-linked organization, but dogged and fascinating detective work, and an unexpected second murder, lead the Murder Squad in a wholly new direction. Minogue has uncovered an extremist sect, one which has political ambitions and, just as ominous, police and government connections. As he unravels the enigma of these murders, Minogue finds himself understanding something of the Jews of Dublin, people who feel bound to Ireland and yet remain outsiders. 'Matt Minogue, the magnetic centre of this superb series... and Brady's tone of battered lyricism are the music which keep drawing us back to this haunting series.' - New York Times

Old debts and the new booming Ireland make a deadly mixture.In the sixth of the Minogue series, the troubled son of an Irish-American tycoon is found bludgeoned to death in the trunk of a car at Dublin Airport. There's more at stake here than bad publicity for Ireland's vital tourist industry. The victim's father is the highly influential Irish-American tycoon John Leyne. A confusing account of the victim's itinerary suggests he's travelling with a woman, and staying in lodgings in remote towns and villages. That female companion may be Aoife Hartnett, an archaeologist from the National Museum - but she can't be found. The trail peters out near the west coast. A pattern to their travels emerges: the route takes in sites where Aoife Hartnett worked. Two of those sites have had thefts in the past five years. Is it a coincidence that one of John Leyne's passions in recent years has been the collection of antiquities? A body is found in a shallow grave near an historical excavation site. Travelling back to his ancestral homeland brought this man not the glory he hoped, but a brutal end.'Magically, Brady's writing makes it dense and multi-layered... A treasure of a crime novel.' - Toronto Star'Brady's sixth novel is his best. Melodic, densely plotted, taking us from the Stone Age to New Age, Brady has a great eye for detail. Save it to savour.' - Globe and Mail (Canada)

It has been a long winter here in the hills of southern Austria. Felix Kimmel, officer with the Gendarmerie, is staring at two bodies on a path in the woods. This is too big for the local Gendarmerie detachment... The Kripo from Graz soon take over. Experts though they may be, they want his help: he is a local, right? But Felix's mentor, the old hand Gebhart, warns him to beware of these slick detectives as they have their own agenda. The dead men seem to be ausländers, Eastern Europeans. An autopsy reveals a diamond in one's digestive tract, and on the other, a tattoo. Then, the family whose call to the Gendarmerie led to the discovery of the bodies, perishes in a fire. Felix senses that the Kripo detectives' attitude to him has altered. Maybe he knows more than he lets on...? And, they hint, whoever set fire to that farmhouse may come after Felix next... When he finds old maps that his father had hidden, he begins to wonder if his own tangled family history is not part of this. He must discover what his loathed grandfather Kimmel knew, or did, before the Kripo does. He sets out on that narrow, winding mountain road that climbs to the remote Kimmel farm. This is where history and politics collide, where the global crime wave that is sweeping across Europe crashes into a small town cop.

In a park in leafy Dubin suburb, a homeless man is beaten to death. Does no-one care?The miracle of Celtic Tiger Ireland has imploded but something stirs in the rubble and seizes the attention of a weary public: Pádraig Larkin, a homeless, mentally ill alcoholic, is beaten to death in a park. Public indignation rises as the case remains unsolved. Is there no justice for an outcast in today's Ireland Minogue and the volatile Tommy Malone are put on the case. Neither copper is happy: this move is insider influence at work. Sister Immaculata, the well-known and outspoken nun, has complained to the Garda Commissioner that this unsolved murder case is an insult to the victim, an indictment of Irish society. Was Pádraig Larkin simply in the wrong place at the wrong time, a victim of feral youths? A furious reaction to voyeurism? Witness to a drug deal? And one of his fellow down-and-outs is delusional and prone to violence... Minogue soon senses that Larkin's past is gaining on the present. Their collision will come with all the force of truths held back so bitterly and for so long.'Particularly powerful stuff - genius.' - Toronto Star'Eerily prescient, with an up-to-the-minute view of Ireland's financial meltdown. One of Brady's best plots, along with his always-fine characters and stellar Dublin setting. Not to be missed.' - Globe and Mail (Canada)

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John Brady, editor of Writer's Digest and himself an accomplished interviewer, has put together an indispensable guide to the art of questioning. In a lively, down-to-earth manner, "The Craft of Interviewing" covers all aspects of the interview process -- getting the interview, doing research, handling the subject face-to-face, hurdling hazards, getting tough, taking notes (on the sly, if need be), taping, dealing with off-the-record types, concluding the interview, verifying it, and writing it up. Brady has also filled the book with a myriad of anecdotes revealing the experiences of some of the best known interviewers of our times. A noteworthy appendix on the history of the interview is included.

Filled with fascinating and revealing interviews from six of America's best screenwriters, The Craft of the Screenwriter is a first-rate source for students, writers, filmmakers, and movie enthusiasts.Interviews with some of America's top screenwriters, including perennially funny and hit writer Neil Simon, novelist and screenwriter William Goldman, and the late Paddy Chayefskey in his longest and last interview, The Craft of the Screenwriter is entertaining and essential reading for movie professionals and enthusiasts alike. The in-depth interviews that make up this book show the screenwriters in the midst of their lives and careers as they answer questions about films they've made and people they've worked with. Additionally, each screenwriter shares how they got into the movie business, why they stayed, and the experiences that led to perfecting their techniques as they provide clear and sound advice for screenwriters trying to break into the business. Described by Rex Reed as "a 'must' for the film library shelf," John Brady's peak into the life of screenwriters gives a fascinating look at a powerful element of the movie industry.

Authored by one of the leading scholars in the field, Introductory Food Chemistry deploys the most current understanding of the relationship between molecular structure and function for food proteins, carbohydrates, and lipids.