Bøger af John Harvey

Der dritte und letzte Teil der Frank Elder Serie bietet ein spannendes Finale und ist nichts für schwache Nerven.Claire Meecham, eine Bekannte des pensionierten Detectives Frank Elder, ist spurlos verschwunden. Als ihr Bungalow durchsucht wird, finden die Ermittler Hinweise auf spezielle sexuelle Vorlieben und männliche Internetbekanntschaften. Bevor die Ermittlungen weitergehen können, erhält Elder die Nachricht, das Claire tot aufgefunden wurde. Die Art wie die Leiche drapiert wurde, erinnert ihn stark an ein früheres Verbrechen. Wird er den Mörder finden und den bisher ungelösten Fall lösen können?John Harvey, geboren 1938 in London, gehört zu den bekanntesten britischen Schriftstellern. Er studierte an den Universitäten in London und Nottingham und unterrichtete zeitweise in den Bereichen Film und Theater sowie amerikanische Literatur. Neben Kriminal- und Jugendromanen veröffentlichte er unter verschiedenen Pseudonymen auch Westernromane. Sein erster Krimi "Lonely Hearts" (1989), der erste Teil einer Reihe, gehört laut der London Times zu den 100 besten Krimis den 20. Jahrhunderts. Harvey erhielt zahlreiche Auszeichnungen, unter anderem den Cartier Diamond Dagger für sein Lebenswerk.

Der erste Teil der Frank Elder Serie bildet einen grandiosen Auftakt und macht Lust auf mehr.Vor fünfzehn Jahren verschwand in Nottingham eine junge Frau, bis heute fehlt jede Spur von ihr. Der verurteilte Mörder und Sexualstraftäter Shane Donald wird aus dem Gefängnis entlassen. Dem pensionierten Detective Frank Elder geht er ungelöste Fall noch immer nicht aus dem Kopf und er nimmt die Ermittlungen wieder auf. Daraufhin wird wieder eine junge Frau ermordet und der Detective erhält mysteriöse Postkarten. Als Elders Tochter plötzlich spurlos verschwindet, ahnt er, was er mit seinen Ermittlungen losgetreten hat.John Harvey, geboren 1938 in London, gehört zu den bekanntesten britischen Schriftstellern. Er studierte an den Universitäten in London und Nottingham und unterrichtete zeitweise in den Bereichen Film und Theater sowie amerikanische Literatur. Neben Kriminal- und Jugendromanen veröffentlichte er unter verschiedenen Pseudonymen auch Westernromane. Sein erster Krimi "Lonely Hearts" (1989), der erste Teil einer Reihe, gehört laut der London Times zu den 100 besten Krimis den 20. Jahrhunderts. Harvey erhielt zahlreiche Auszeichnungen, unter anderem den Cartier Diamond Dagger für sein Lebenswerk.

Bei diesem zweiten Teil der Fank Elder Serie möchte man am liebsten gar nicht mehr auf Pause drücken.Nachdem die Verhaftung eines gesuchten Gangsterbosses ganz anders verläuft als geplant und am Ende zwei Menschen getötet werden, sucht Detective Sergeant Maddy Birch Hilfe bei ihrem pensionierten Kollegen Frank Elder. Im Zuge der Ermittlungen muss er sich der Vergangenheit stellen, die einen direkten Bezug zur Gegenwart zu haben scheint. Wieder steht das Leben seiner Tochter und diesmal auch sein eigenes auf dem Spiel.John Harvey, geboren 1938 in London, gehört zu den bekanntesten britischen Schriftstellern. Er studierte an den Universitäten in London und Nottingham und unterrichtete zeitweise in den Bereichen Film und Theater sowie amerikanische Literatur. Neben Kriminal- und Jugendromanen veröffentlichte er unter verschiedenen Pseudonymen auch Westernromane. Sein erster Krimi "Lonely Hearts" (1989), der erste Teil einer Reihe, gehört laut der London Times zu den 100 besten Krimis den 20. Jahrhunderts. Harvey erhielt zahlreiche Auszeichnungen, unter anderem den Cartier Diamond Dagger für sein Lebenswerk.

A valuable reference tool for students and pastors, series provides readers with an enhanced understanding of New Testament genres and strategies for interpretation.

It started with a personal commitment to sit an hour each week for a full year in the same spot in the woods. John Harvey's intention was to reconnect with nature and observe the flow of natural life through the four seasons. As Harvey settled into his weekly routine of visiting his "sit spot" and fully engaging his senses, rich and illuminating experiences began to unfold. His encounters with nature included seeing and listening to a plethora of birds, from tiny wrens to large hawks, from sweet-singing warblers to rattling woodpeckers; enjoying the sight of seasonal plants such as wild violets, trout lily, and skunk cabbage; sitting out in the open during weather events that ranged from glorious warm summer sunshine to an Alberta clipper in the winter; and spotting the occasional deer and even a black bear. In all cases, Harvey sought to observe, listen, appreciate, and learn. Learn he did-about the birds, animals, plants, and trees that surrounded and intrigued him. But his remarkable encounters with nature also facilitated self-discovery, fostered insight, and nurtured empathy and intuition.

A pair of violent mystery novels starring London detective Scott Mitchell, the groundbreaking PI who introduced Britain to hardboiled crime fiction.Junkyard Angel starts with Scott Mitchell deciding to sneak into a flat he’s supposed to be watching from across the road to avoid freezing to death. It’s the worst decision he’ll ever make. He’s just stepped inside when a blackjack cracks him across the skull, and he crashes to the floor, unconscious. When he comes to, he finds a photo of a beautiful woman—and a dead girl lying on the bed. Mitchell has fallen face-first into a murder scene, and it won’t be long before he’s wishing he’d frozen instead.In Neon Madman, Mitchell is trying to stay out of trouble by doing some safe, sleazy divorce work—so why is somebody trying to kill him? When a West Indian man bursts into his office threatening to tear him apart, Mitchell talks him down before the man is able to breaks any of his limbs—or, God forbid, his camera—but he still hasn’t got a clue who the intruder is, or how he’s tied up in the adultery case. And when this supposedly simple case goes from quick and easy to slow and deadly, Mitchell will have to move fast if he wants to stay alive.Written in the tradition of Raymond Chandler and John D. MacDonald, Junkyard Angel and Neon Madman are hardboiled classics. From the pen of the creator of legendary sleuth Charlie Resnick, these two novels hit as hard as a double bourbon—or two bullets to the skull.Praise for the Scott Mitchell Mysteries“Harvey’s police procedurals are in a class by themselves—near Dickensian in their portrayal of human frailty; cinematic in their quick changes of scene and character; totally convincing in their plotting and motivation.” —Kirkus Reviews on Cutting EdgePraise for John Harvey“If John Harvey’s novels were songs, Charlie Parker would play them.” —The New York Times Book Review“Harvey reminds me of Graham Greene, a stylist who tells you everything you need to know while keeping the prose clean and simple. It’s a very realistic style that draws you into the story without the writer getting in the way.” —Elmore LeonardJohn Harvey (b. 1938) is an incredibly prolific British mystery writer. The author of more than one hundred books, as well as poetry and scripts for television and radio, Harvey did not begin writing professionally until 1975. Until then he was a teacher, educated at Goldsmiths College, London, who taught literature, drama, and film at colleges across England. After cutting his teeth on paperback fiction, Harvey debuted his most famous character, Charlie Resnick, in 1989’s Lonely Hearts, which the English Times called one of the finest crime novels of the century. A police inspector noted for his love of both sandwiches and jazz, Resnick has starred in eleven novels and one volume of short stories. The BBC has adapted two of the Resnick novels, Lonely Hearts and Rough Treatment (1990), for television movies. Both starred Academy Award–nominated actor Tom Wilkinson and had screenplays written by Harvey. Besides writing fiction, Harvey spent over twenty years as the head of Slow Dancer Press. He continues to live and write in London.

Two novels introduce the violent mysteries of Scott Mitchell, the toughest detective in London, who taught the British Isles what it means to be hardboiled.Amphetamines and Pearls marked the debut of Scott Mitchell, a down-on-his-luck London PI who ventures to Nottingham for the sake of an old friend, iconic singer Candi Carter. Mitchell finds Carter dead in her living room, a trickle of blood coming from her mouth and a bullet hole in her chest. Her body is still warm. But before he can get out of there, he’s blackjacked, and when he comes to, he’s picked up by a pair of cops who beat him senseless and drag him to the nearest cell. Mitchell is having a hell of a day—and things will only get worse from here.In The Geranium Kiss, Mitchell takes a job from Crosby Blake, one of the most powerful men in London—and one of the most dangerous. Blake’s niece, Cathy, has been kidnapped, and he wants Mitchell to handle the ransom payment. The kidnappers want £20,000, and about 20,000 things will go wrong before this case is finished. To bring Cathy home alive, Mitchell will have to untangle a web of deadly lies that threaten to bind him tighter with every question he asks.Written in the hardboiled spirit of Raymond Chandler and John D. MacDonald, the Scott Mitchell novels are a unique hybrid of American and British mysteries. Created by John Harvey, who would later create the legendary sleuth Charlie Resnick, these novels are as tough as they come.Praise for the Scott Mitchell Mysteries“Harvey’s police procedurals are in a class by themselves—near Dickensian in their portrayal of human frailty; cinematic in their quick changes of scene and character; totally convincing in their plotting and motivation.” —Kirkus Reviews on Cutting EdgePraise for John Harvey“If John Harvey’s novels were songs, Charlie Parker would play them.” —The New York Times Book Review “Harvey reminds me of Graham Greene, a stylist who tells you everything you need to know while keeping the prose clean and simple. It’s a very realistic style that draws you into the story without the writer getting in the way.” —Elmore LeonardJohn Harvey (b. 1938) is an incredibly prolific British mystery writer. The author of more than one hundred books, as well as poetry and scripts for television and radio, Harvey did not begin writing professionally until 1975. Until then he was a teacher, educated at Goldsmiths College, London, who taught literature, drama, and film at colleges across England. After cutting his teeth on paperback fiction, Harvey debuted his most famous character, Charlie Resnick, in 1989’s Lonely Hearts, which the English Times called one of the finest crime novels of the century. A police inspector noted for his love of both sandwiches and jazz, Resnick has starred in eleven novels and one volume of short stories. The BBC has adapted two of the Resnick novels, Lonely Hearts and Rough Treatment (1990), for television movies. Both starred Academy Award–nominated actor Tom Wilkinson and had screenplays written by Harvey. Besides writing fiction, Harvey spent over twenty years as the head of Slow Dancer Press. He continues to live and write in London.

A novel of courage based on the experiences of John Harvey's own father who served with the London Fire Brigade.

This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines.The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts.The book applies theoretical and methodological approaches-native to fine art, art history, and visual cultural studies but new to biblical studies-to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part.The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.

This memoir of an Englishman in the French Foreign Legion during the Syrian campaign of the late 1920s relates the brutal story of life in the Legion and war in the deserts of Syria. John Harvey joined the Foreign Legion with the assumption that he would receive a substantial bonus and a glorious adventure. He was wrong on both points. Described is the siege of Rachaya Fort against the Druse faction in Syria, a famous and bloody battle.

Fifteen years ago Susan Blacklock disappeared. Although Detective Inspector Frank Elder has taken early retirement, case still plagues his mind. Prime suspects, Shane Donald and Alan McKeirnan, were convicted a year later of brutal rape and murder of a young girl, and now that Shane has been granted parole, Elder feels compelled to revisit past.

So when Katherine suddenly appears on his doorstep, Elder knows that something is wrong. But the breakdown of their relationship has sent Katherine into a self-destructive tailspin, made worse when the artist is found murdered in his studio.

Ut pictura poesis Horace said, but through the two millennia in which the sister arts have been compared, little has been said about the nature of sight itself. What we see in our mind's eye as we read has not been explored, though by following the visual prompts in texts, one can anatomize the process of visualization. The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within the metaphors of Shakespeare, Pope and Dickens; and within the visual metaphors of Picasso, Magritte and Bacon. This book explores the difference between the great and the failed works of the supreme poet-painter, William Blake, and tracks the migrations of the Satiric muse between verbal mockery and scabrous images in Persius, Pope, Gillray and Gogol. It records the rise, and partial decline, of the vividly seen novel in Dickens, Flaubert, Tolstoy, Proust and Hardy. The key concept throughout this book is visual metaphor, which in the twentieth century acquired overarching importance: in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. The book closes with a far-reaching definition of visual metaphor and with the great visual metaphor of the human body.

Thirty years ago, the Miners' Strike threatened to tear the country apart, turning neighbour against neighbour, husband against wife, father against son - enmities which smoulder still. Resnick, recently made up to inspector, and ambivalent at best about some of the police tactics, had run an information gathering unit at the heart of the dispute.

The inaugural volume in the Handbooks for New Testament Exegesis series, Interpreting the Pauline Letters begins by exploring the components of narrative--setting, characterization, and plot--and then develops the foremost theological themes in each of the books traditionally ascribed to Paul. The method sets the task of exegesis within the literary context of first-century letters as well as the theological context of major themes present in Paul's letters. The book goes beyond exegesis to discuss strategies for communicating the central truthesof Paul's first-century messages to a twenty-first-century audience. Each chapter includes a list of helpful resources to the step of interpretation discussed. A glossary defining technical words and samples of moving from exegesis to proclamation make this guide practical and user-friendly. Designed as a handbook for seminary and graduate students, the book provides a go-to guide that will also serve seminary-trained pastors, upper-level college students, and well-motivated lay people. As readers work through this handbook, they will begin to see and interpret the narrative writings as Paul intended them to be understood.

When a man is found in the middle of Alfreton Road in the early hours one Sunday morning, stark naked and bleeding heavily from a chest wound, he is the latest in a series of viscous attacks on men. Chronically short-staffed as he is, it's a guessing game as to when Resnick's lack of manpower will have fatal consequences.

A series of brutal robberies takes Detective Inspector Charlie Resnick back ten years. To a time when a rash of similar incidents left him face to face with a frenzied sociopath who brought his life to a premature end - and to a time when his wife ran off with her lover, and leaving him with a psychic wound that still hasn't healed.

The third DI Frank Elder novel, from the master of British crime writing. It's clear to Elder that this is the work of the same unbalanced individual and, to find the killer, Elder must shine a light into the darkest recesses of human behaviour, the dark and twisted recesses of a disturbed human mind.