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Cultural Studies commonly claims to be a radical discipline. This book thinks that's a bad assessment. Cultural theorists love to toy with Marx, but critical thinking seems to fall into obvious traps. *BR*After an introduction which explains why the 'Marxism' of the academy is unrecognisable and largely unrecognised in anti-capitalist struggles, Bad Marxism provides detailed analyses of Cultural Studies' cherished moves by holding fieldwork, archives, empires, hybrids and exchange up against the practical criticism of anti-capitalism. *BR*Engaging with the work of key thinkers: Jacques Derrida, James Clifford, Gayatri Spivak, Georges Bataille, Homi Bhabha, Michael Hardt and Toni Negri, Hutnyk concludes by advocating an open Marxism that is both pro-party and pro-critique, while being neither dogmatic, nor dull.
In this book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. *BR**BR*Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses 'world' music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.
A study of the politics of representation which explores the construction of a city of intensities.
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