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Combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. The author shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision.
The attraction of a wink, a nod, a discarded snapshot - such feelings permeate our lives, yet we usually dismiss them as insubstantial. Jean Paul Ricco argues through the medium of modern art that it is precisely such fleeting experiences that will create a queer aesthetic, and notion of ethics.
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