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"Build me a house of words, / A house of how and why, / and I will live in it with you/ Under the silent sky, / For we will tell each other/ Things we would deny/ And believe them by and by." Jonathan Potter's House of Words is a collection of poems arranged in four movements echoing the structure of an Elizabethan sonnet. Each poem here represents a single stressed syllable pursed between lips, cobbling pillar and post, rafter and roof, where stars are nails and the night is a hammer falling. The book opens in wonder, dwelling in a world in which words and the gestures of language provide access to the freshness deep down things. But even in that initial movement, a gap is evident which grows as it confronts contradiction and death. Subdued recedings of resignation follow, tentatively emerging into the light of faith. House of Words is the inaugural publication of Korrektiv Press.
Independence Day is a holiday known for the many ways in which people choose to celebrate, parades, cookouts and, of course, fireworks. To many, the holiday is known simply as the Fourth of July. Some readers may not know the reasons we celebrate this holiday. What is the significance of celebrating on this specific date? What exactly happened on July 4, 1776? With accessible vocabulary and eye-catching photographs, this book will teach readers about the history behind the holiday, and the different ways that families across the country celebrate Independence Day.
First published in 1984, Social Texts and Context illustrates the ways in which familiar psychological concepts ¿ femininity, the environment, groups, the self ¿ are constructed in discourse.
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience.
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience.
How is reality manufactured? The idea of social construction has become a commonplace of much social research, yet precisely what is constructed, and how, and even what constructionism means, is often unclear or taken for granted. This work offers a tour of the central themes raised by these questions.
Provides an introduction to the theory and application of discourse analysis within the field of social psychology. This book includes chapters on the theoretical roots of discourse analysis in linguistic philosophy, ethnomethodology and semiotics and an overview on the perspectives of discourse analysis and its utility in studying attitudes.
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