Bøger af José Carlos Diaz

Showcases a collection that reflects the extraordinary variety and inventiveness of Calder's oeuvreIn spring 2023 the Seattle Art Museum announced that patrons Jon and Kim Shirley had generously gifted the Shirley Family Collection to the museum. The collection-one of the most important private holdings of Alexander Calder's art-is the result of thirty-five years of thoughtful acquisitions and features many significant examples from his production. It comprises more than forty-five artworks representing every decade of the artist's career, including superlative examples of his wire sculptures, hanging mobiles, and stationary stabiles dating from the 1920s to the 1970s. This richly illustrated publication accompanies SAM's inaugural exhibition of works from the collection, demonstrating Calder's unique vision, which has had a profound influence on contemporary culture. It features a curatorial foreword by José Carlos Diaz; short essays by Jon Shirley tracing his evolution as a passionate and informed collector of Calder's work and discussing the importance of scale in the artist's sculpture, which ranges from the miniature to the monumental; and an essay by art historian Elizabeth Hutton Turner that expands on the artist's life and his extraordinary impact on twentieth-century art. Short contributions by Alexander S. C. Rower, president of the Calder Foundation and grandson of the artist, focus on ten of the collection's artworks, situating them within Calder's oeuvre.

Contemporary artists revisit Warhol's 1985 love letter to America Originally published in 1985, Warhol's America features photographs both taken and collected by the artist during his cross-country travels and in-person encounters over the previous decade. The book, an idiosyncratic love letter to America, finds Warhol reflecting on everything from travel, beauty and fame to politics, technology and the American Dream. Three decades later, Fantasy America invites artists Nona Faustine, Kambui Olujimi, Pacifico Silano, Naama Tsabar and Chloe Wise to revisit this seminal publication and contribute their own art. All New York-based, they, like Warhol, are cross-disciplinary artists drawn to repetition, seriality and image appropriation in their work. Against the backdrop of nationwide protests in the wake of George Floyd's murder, the Black Lives Matter movement, the COVID-19 pandemic and the presidential election, these essays and artworks probe and challenge our perceptions of what America is and what it can become.