Bøger af Joseph McBride

In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of George Cukor's actors in their most memorable roles.

Writing in Pictures is a refreshingly practical and entertaining guide to screenwriting that provides what is lacking in most such books: a clear, step-by-step demonstration of how to write a screenplay.Seasoned screenwriter and writing teacher Joseph McBride breaks down the process into a series of easy, approachable tasks, focusing on literary adaptation as the best way to learn the basics and avoiding the usual formulaic approach. With its wealth of useful tips, along with colorful insights from master screenwriters past and present, this book is invaluable for anyone who wants to learn the craft of screen storytelling.CONTENTSIntroduction: Who Needs Another Book on Screenwriting? Part I: Storytelling1: So Why Write Screenplays?2: What Is Screenwriting? 3: Stories: What They Are and How to Find Them4: Ten Tips for the Road Ahead Part II: Adaptation5: Breaking the Back of the Book: or, The Art of AdaptationSTEP 1: THE STORY OUTLINE6: Research and Development STEP 2: THE ADAPTATION OUTLINE7: The Elements of ScreenwritingSTEP 3: THE CHARACTER BIOGRAPHY8: Exploring Your Story and How to Tell ItSTEP 4: THE TREATMENT Part III: Production9: Who Needs Formatting?10: Actors Are Your Medium 11: Dialogue as ActionSTEP 5: THE STEP OUTLINE12: The Final Script13: Epilogue: Breaking into Professional Filmmaking Appendix A: The Basic Steps in the Screenwriting ProcessAppendix B: "To Build A Fire" by Jack LondonSelected BibliographyAcknowledgments Index

In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director.

This is a book geared to children and teens about questions they had about our time during the war.

"What Ever Happened to Orson Welles? A Portrait of an Independent Career" challenges the conventional wisdom that Welles's career after Kane was a long decline and that he spent his final years doing little but eating and making commercials while squandering his earlier promise. In this intimate and often surprising personal portrait, Joseph McBride shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welle's artistically rich yet little know later period in the United States (1970-1985) when McBride knew and worked with him. McBride reports on Welles's daringly experimental film projects, including the legendary 1970-1976 unfinished film The Other Side of the Wind, Welles's satire of Hollywood during the Easy Rider era. McBride gives a unique, inside perspective on Welles from the viewpoint of a young film critic playing a spoof of himself in a cast headed by John Huston and Peter Bogdanovich. To put Welles's widely misunderstood later years into context, What Ever Happened to Orson Welles? reexamines the filmmaker's entire life and career. McBride offers many fresh insights into the collapse of Welles's Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile.

Moviegoers often assume Frank Capra's life resembled his beloved films (such as Mr. Smith Goes to Washington and It's a Wonderful Life). A man of the people faces tremendous odds and, by doing the right thing, triumphs! But as Joseph McBride reveals in this meticulously researched, definitive biography, the reality was far more complex, a true American tragedy. Using newly declassified U.S. government documents about Capra's response to being considered a possible "e;subversive"e; during the post-World War II Red Scare, McBride adds a final chapter to his unforgettable portrait of the man who gave us It Happened One Night, Mr. Deeds Goes to Town, and Meet John Doe.

Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been.This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director. Spielberg's ambitious recent work--including Amistad, Saving Private Ryan, A. I. Artifucial Intelligence, Minority Report, The Terminal and Munich--has continually expanded his range both stylistically and in terms of adventurous, often controversial, subject matter.Steven Spielberg: A Biography brought about a reevaluation of the great filmmaker's life and work by those who viewed him as merely a facile entertainer. This new edition guides readers through the mature artistry of Spielberg's later period in which he manages, against considerable odds, to run a successful studio while maintaining and enlarging his high artistic standards as one of America's most thoughtful, sophisticated, and popular filmmakers.

The director and cowriter of some of the world's most iconic films-including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment-Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder's films are marked by intense compassion and a profound understanding of the human condition.Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.

John Ford's classic films have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of a collective past. Joseph McBride's Searching for John Ford, described as definitive by the New York Times surpasses all other biographies of the filmmaker in its depth, originality, and insight.

The Coen Bros. have attracted a wide following and have been rewarded with Oscars and other honors. Some of their films such as Fargo, The Big Lebowski, and No Country for Old Men are cult favorites and box office hits. Yet this team of filmmaking brothers remains misunderstood in some critical circles, partly because, like John Ford, they mischievously refuse to explain themselves to interviewers, preferring to let their work speak for itself. Ethan and Joel Coen also delight in unsettling cinematic conventions and confounding audiences while raising disturbing questions about human nature. Mixing film genres and styles, playing with narrative in postmodernist ways, the Coens'' films display shocking tonal shifts as they blend comedy and drama and, most controversially, comedy and violence. This potent mélange of themes and stylistic approaches makes the Coens'' films adventurous, unpredictable probes into social anxieties and reflections on the omnipresence of evil in the modern world. In their trenchant satire, these brilliant writer-directors are heirs to Preston Sturges and Billy Wilder, and as satirists tend to do, the Coens sometimes provoke audience anger and incomprehension along with enjoyment of their penchant for black comedy. Film historian and critic Joseph McBride jousts with the Coens'' detractors while defining the filmmakers'' freshness and originality. The quirkily individualistic Coens are the kind of personal filmmakers the increasingly conglomerated American cinema rarely fosters anymore, a distinction partly attributable to their following in Europe and their partial financing by European sources. This critical study goes beyond the often-superficial and confused nature of Coen criticism to illuminate their artistic personalities and contributions to cinematic culture.

Joseph McBride analyzes Ernst Lubitsch's films in rich detail in the first in-depth critical study to consider the full scope of his work in both his native and adopted lands. McBride explains the "Lubitsch Touch," shows how the director challenged American attitudes toward romance and sex, and offers revealing insights into his working methods.

At twenty-five, Orson Welles (1915-1985) directed, co-wrote, and starred in ""Citizen Kane"", widely considered the best film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. This book reassesses Welles' final period in the context of his entire life and work.

"e;I read Hawks on Hawks with passion. I am very happy that this book exists."e; -- Francois TruffautHoward Hawks (1896--1977) is often credited as being the most versatile of all of the great American directors, having worked with equal ease in screwball comedies, westerns, gangster movies, musicals, and adventure films. He directed an impressive number of Hollywood's greatest stars -- including Humphrey Bogart, Cary Grant, John Wayne, Lauren Bacall, Rosalind Russell, and Marilyn Monroe -- and some of his most celebrated films include Scarface (1932), Bringing Up Baby (1938), The Big Sleep (1946), Red River (1948), Gentlemen Prefer Blondes (1953), and Rio Bravo (1959). Hawks on Hawks draws on interviews that author Joseph McBride conducted with the director over the course of seven years, giving rare insight into Hawks's artistic philosophy, his relationships with the stars, and his position in an industry that was rapidly changing. In its new edition, this classic book is both an account of the film legend's life and work and a guidebook on how to make movies.

Unlike most how-to books on screenwriting, Writing in Pictures is highly practical, offering a realistic guide to the screenwriting profession, as well as concrete practical guidance in the steps professional writers take to write a screenplay that comes from the heart instead of the pocketbook. The readeris taken through the nitty-gritty process of conceiving, outlining, constructing, and writing a screenplay in the professional format, with clear and concise examples offered for every step in writing a short dramatic film.Writing in Pictures offers straight talk, no mumbo-jumbo or gimmicks, just a methodical, step-by-step process that walks the reader through the different stages of writing a screenplay -- from idea to outline to character biography to treatment to step outline to finished screenplay. Using well-known films and screenplays, both contemporary and classic, to illustrate its lessons, Writing in Pictures also offers comments from famous screenwriters past and present and insightful stories (often colorful and funny) that illuminate aspects of the craft.