Bøger af Joseph Sheridan Le Fanu

The vampire novella "Carmilla" set in Austria is one of Le Fanu's best tales and greatly influenced Bram Stocker, who published Dracula 25 years later. This is definitively a great book and a must for the lovers of horror tales.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Sheridan Le Fanu was born at No. 45 Lower Dominick Steet, Dublin, into a literary family of Huguenot origins. Both his grandmother Alicia Sheridan Le Fanu and his great-uncle Richard Brinsley Sheridan were playwrights. His niece Rhoda Broughton would become a very successful novelist. Within a year of his birth his family moved to the Royal Hibernian Military School in Phoenix Park, where his father, an Anglican clergyman, was the chaplain of the establishment. Phoenix Park and the adjacent village and parish church of Chapelizod were to feature in Le Fanu's later stories. Le Fanu studied law at Trinity College in Dublin, where he was elected Auditor of the College Historical Society. He was called to the bar in 1839, but he never practised and soon abandoned law for journalism. In 1838 he began contributing stories to the Dublin University Magazine, including his first ghost story, entitled "A Strange Event in the Life of Schalken the Painter" (1839). He became owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Carmilla (1872), de Joseph Sheridan Le Fanu, y El Vampiro (1819), de John William Polidori, son, de forma indiscutible, las dos obras que dieron origen a la figura romántica del Vampiro y a la literatura moderna de temática vampírica. En ambas obras pueden encontrarse escenas míticas, reproducidas en multitud de narraciones de vampiros posteriores, tanto en la literatura como en el cine. Entre las obras posteriores que se inspiraron en estas dos historias, destacan Drácula, de Bram Stoker, y La Sangue del Vampiro, de Florence Marryat, que, siguiendo los pasos de Polidori y Le Fanu, desarrollaron la temática del vampirismo en novelas de mayor calibre. CARMILLA: "Laura y su padre llevan una vida tranquila en un remoto castillo de los densos bosques de Estiria. Es una existencia solitaria para la joven Laura, que no tiene más compañía que la de sus institutrices y las ocasionales visitas de los nobles del lugar. En esta vida solitaria, llega una misteriosa huésped a la casa: Carmilla. Poco a poco, Laura parece caer bajo el hechizo de la bella Carmilla. A pesar de sentirse atraída por ella, Laura siente una extraña repulsión; sin embargo, es incapaz de resistirse... Una serie de muertes súbitas afligen a los campesinos de los alrededores, hasta que la propia Laura cae presa de la extraña enfermedad. ¿Lograrán descubrir a tiempo la causa de su enfermedad o será la última víctima del misterioso vampiro?" EL VAMPIRO: "Aubrey, un joven caballero huérfano en posesión de una gran fortuna, llega a Londres para pasar una temporada. Allí conoce al misterioso Lord Ruthven, con quien entabla amistad. Al descubrir que Ruthven está planeando un viaje a Europa, Aubrey decide viajar con él para conocer mundo y las vicisitudes de la sociedad. Cuanto más tiempo pasa Aubrey con Ruthven, más turbios le parecen su comportamiento y sus ideales... Por ello, Aubrey decide distanciarse de Ruthven; pero, ¿será demasiado tarde para salvar a sus seres queridos de la sed del vampiro?"

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Mr. Justice Harbottle is a classic mystery novel written by J. Sheridan Le Fanu. The story follows the life of a corrupt judge, Mr. Justice Harbottle, who is known for his harsh and unjust rulings. However, his past catches up with him when he receives a series of threatening letters that seem to be linked to a crime he committed years ago. As the letters become more menacing and the judge's guilt begins to consume him, he starts to see ghosts and experience strange occurrences. With the help of a young lawyer, Harbottle sets out to uncover the truth behind the letters and the crime he committed. The novel is filled with suspense, intrigue, and supernatural elements that keep readers on the edge of their seats until the very end. Le Fanu's writing style is gripping and atmospheric, making Mr. Justice Harbottle a must-read for fans of classic mystery and horror novels.The bloated and gouty old man, in his horror, considered the question of resistance. But his athletic days were long over. This moor was a desert. There was no help to be had. He was in the hands of strange servants, even if his recognition turned out to be delusion, and they were under the command of his captors. There was nothing for it but submission, for the present.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Uncle Silas, subtitled "A Tale of Bartram-Haugh", is a Victorian Gothic mystery-thriller novel by the Irish writer J. Sheridan Le Fanu. Despite Le Fanu resisting its classification as such, the novel has also been hailed as a work of sensation fiction by contemporary reviewers and modern critics alike. It is an early example of the locked room mystery subgenre, rather than a novel of the supernatural (despite a few creepily ambiguous touches), but does show a strong interest in the occult and in the ideas of Emanuel Swedenborg, a Swedish scientist, philosopher and Christian mystic. Like many of Le Fanu's novels, Uncle Silas grew out of an earlier short story, in this case "A Passage in the Secret History of an Irish Countess" (1839), which he also published as "The Murdered Cousin" in the collection Ghost Stories and Tales of Mystery (1851). While this earlier story was set in Ireland, the novel's action takes place in Derbyshire; the author Elizabeth Bowen was the first to identify a distinctly Irish sub-text to the novel, however, in spite of its English setting. It was first serialized in the Dublin University Magazine in 1864, under the title Maud Ruthyn and Uncle Silas, and appeared in December of the same year as a three-volume novel from the London publisher Richard Bentley. Several changes were made from the serialization to the volume edition, such as resolving the inconsistencies of names.

There were tenants at last in Malory; and the curiosity of the honest residents of Cardyllian, the small and antique town close by, was at once piqued and mortified by the unaccountable reserve of these people. For four years, except from one twisted chimney in the far corner of the old house, no smoke had risen from its flues. Tufts of grass had grown up between the paving-stones of the silent stable-yard, grass had crept over the dark avenue, which, making a curve near the gate, is soon lost among the sombre trees that throw a perpetual shadow upon it; the groves of nettles had spread and thickened among their trunks; and in the signs of neglect and decay, the monastic old place grew more than ever triste. The pretty little Welsh town of Cardyllian stands near the shingle of a broad estuary, beyond which tower the noble Cambrian mountains. High and dim, tier above tier, undulating hills, broken by misty glens, and clothed with woods, rise from the opposite shore, and are backed, range behind range, by the dim outlines of Alpine peaks and slopes, and flanked by purple and gold-tinted headlands, rising dome-like from the sea.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This Is A New Release Of The Original 1876 Edition.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu's work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.

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这样说来，新来者从他的座位上站起来，冷静地从s的头上摘下了黑色哑光的金枪鱼，取而代之的是深色的天鹅绒帽，他是从马裤口袋里一个神秘的角落里抽出来的。然后，把假发挂在椅子的靠背上，他把座位转到桌子旁，第一次给他的同伴一个机会，让他公平地看着他的脸。如果他是第一印象的信奉者，那么他一定会明智地将展览推迟到相识取得进展之前，因为他的容貌清醒地说，除了吸引人之外，别无他物-一对灰褐色的眉毛遮盖了他的双眼。快速而刺眼的黑色，相当小，并且异常躁动而生动-嘴巴很宽，下颌弯曲得那么大，几乎导致了畸形，面部下部表现出坚决的凶猛特征，而这种特征并没有眼神火热的眼神使一切都软化了；一个巨大的突出额头，在额头上留下深深的疤痕，并经过多年的思考，使面部表情更加突出。肤色黝黑。总的来说，这种面容是那种险恶而令人不快的一种，想象力与残酷和恐怖的场面联系在一起，并且可以适当地在发烧梦的前景中占据重要位置。在漫长的冒险和冒险生活中，这位年轻的旅行者目睹了太多丑陋的景象，以至于想不了一会儿，就想起了他的新伴侣的面容所产生的印象。他们自由地聊天。而长者（顺便说一句，他没有表现出很强的爱尔兰口音或习语特质，比其他人表现得更强），当他陪同他的晚安时，给他的印象是，不管他的面容如何， ，他的机智劣势已被精明，敏捷，明智的判断和丰富的经验所抵消。这样说来，新来者从他的座位上站起来，冷静地从s的头上摘下了黑色哑光的金枪鱼，取而代之的是深色的天鹅绒帽，他是从马裤口袋里一个神秘的角落里抽出来的。然后，把假发挂在椅子的靠背上，他把座位转到桌子旁，第一次给他的同伴一个机会，让他公平地看着他的脸。如果他是第一印象的信奉者，那么他一定会明智地将展览推迟到相识取得进展之前，因为他的容貌清醒地说，除了吸引人之外，别无他物-一对灰褐色的眉毛遮盖了他的双眼。快速而刺眼的黑色，相当小，并且异常躁动而生动-嘴巴很宽，下颌弯曲得那么大，几乎导致了畸形，面部下部表现出坚决的凶猛特征，而这种特征并没有眼神火热的眼神使一切都软化了；一个巨大的突出额头，在额头上留下深深的疤痕，并经过多年的思考，使面部表情更加突出。肤色黝黑。总的来说，这种面容是那种险恶而令人不快的一种，想象力与残酷和恐怖的场面联系在一起，并且可以适当地在发烧梦的前景中占据重要位置。在漫长的冒险和冒险生活中，这位年轻的旅行者目睹了太多丑陋的景象，以至于想不了一会儿，就想起了他的新伴侣的面容所产生的印象。他们自由地聊天。而长者（顺便说一句，他没有表现出很强的爱尔兰口音或习语特质，比其他人表现得更强），当他陪同他的晚安时，给他的印象是，不管他的面容如何， ，他的机智劣势已被精明，敏捷，明智的判断和丰富的经验所抵消。

A teenage girl describes her unusual childhood to a patient but curious doctor. Raised in a castle by her father, a widower who recently concluded his career in service to the Austrian Empire, Laura has been haunted since her youth with visions of a beautiful, spectral woman. Carmilla is a Gothic horror novella by Joseph Sheridan Le Fanu.

By flickering candlelight, these haunting tales were carefully penned by some of greatest writers of the Victorian era, including Sheridan Le Fanu, Catherine Crowe and Mary Elizabeth Braddon. > Includes: - The Dream - Sheridan Le Fanu - The Italian's Story - Catherine Crowe - Eveline's Visitant - Mary Elizabeth Braddon - The Body Snatcher - Rudyard Kipling> Perfect for horror lovers, these classic ghost stories are sure to terrify and entertain in equal measure.

The House by the Church-Yard (1863) is a novel by Joseph Sheridan Le Fanu. An important source for James Joyce¿s Finnegans Wake, The House by the Church-Yard is a hybrid of the mystery and historical genres of fiction. With its complex use of side plots and extensive frame narrative, the novel is central to Le Fanüs legacy as an innovator whose literary works inspired Bram Stoker and Sir Arthur Conan Doyle.During a routine interment at a churchyard in the historic village of Chapelizod, a grave is disturbed revealing a skull buried a century earlier. Upon examination, a gruesome discovery is made¿not only does the skull show signs of severe head trauma, it contains a hole from an emergency trepanning procedure. Stirred by the discovery, an old man named Charles de Cresseron pieces together the story of a time the village had nearly forgotten. In the eighteenth century, a coffin was secretly buried in the churchyard, with no defining characteristics except for the initials ¿R.D.¿ As the story unfolds, it becomes clear that this burial is somehow related to a series of mysterious events¿a love triangle between a general¿s daughter, a local official, and a man who has taken residence in a home rumored to be haunted; the suicide of a disgraced prisoner; and a rivalry between a deeply indebted doctor and the agent of a local lord whose home has been infiltrated by a dubious imposter. As these plots swirl and converge, The House by the Church-Yard emerges as a masterpiece of suspense, a thriller that delights its reader just as much as it demands their attention.With a beautifully designed cover and professionally typeset manuscript, this edition of Joseph Sheridan Le Fanüs The House by the Church-Yard is a classic of Irish literature reimagined for modern readers.

Carmilla by Irish author Sheridan Le Fanu is an 1872 Gothic novella. Many regard it as one of the early works of vampire fiction. Initially published as a serial form, it tells the story narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein. The character is a typical example of the vampire, expressing romantic desires toward the protagonist. The novella has been adapted many times in film. Like other literary vampires of the 19th century, Carmilla is a similar product of a culture with strict sexual mores and tangible religious fear. While she selected exclusively female victims, she only becomes emotionally involved with a few. Le Fanu's work has been noted as an influence on Bram Stoker's masterwork of the genre, Dracula.Like other vampires, Carmilla had nocturnal habits, but was not confined to the darkness. She was able to change her form and to pass through solid walls. Carmilla works as a Gothic horror story because her victims are portrayed as succumbing to a perverse and unholy temptation that has severe metaphysical consequences for them.