Bøger af Joseph Sheridan Le Fanu

Za każdym skrzypnięciem podłogi musi stać jakiś powód. Czasami lepiej go nie dociekać. Zbiór 12 opowieści przesiąkniętych atmosferą grozy. Klasyczne historie o pokutujących duszach, nawiedzonych domach, klątwach i paktach z siłami nieczystymi. Kunsztowny język i elegancja w snuciu opowieści osadzonych w mrocznych XIX-wiecznych realiach. Inwencja autora splata się tu z ludowymi podaniami, starodawnymi wierzeniami i zabobonami.Dla miłośników pióra Edgara Allana Poego czy M.R. Jamesa.Joseph Sheridan Le Fanu (1814-1873) - irlandzki dziennikarz i pisarz, szeroką popularność zdobył jako autor powieści gotyckich i opowiadań grozy. Do jego najsłynniejszych utworów należą "Dom przy cmentarzu", "Zielona herbata" czy "Carmilla". W ostatniej z wymienionych powieści wykreował postać wampirzycy o lesbijskich skłonnościach. Jego przesiąknięte erotyzmem utwory budziły liczne kontrowersje we współczesnych mu czasach wiktoriańskich.

"Bez wątpienia będziesz zaskoczony, drogi przyjacielu, przedmiotem niniejszej opowieści. [...] Muszę zatem udzielić ci pełnomocnictwa i wyjawić szczerze, na jakich podstawach opiera się wiarygodność dziwnej historii, którą zamierzam tu opowiedzieć". Ludowe opowieści, przekazywane z wioski do wioski i z pokolenia na pokolenie. Irlandzkie baśni i legendy. Mrożące krew w żyłach historie wymyślone przez dziewiętnastowiecznego klasyka opowieści grozy. Niniejszy zbiór opowiadań mieści w sobie to wszystko! Hipnotyzujące obrazy, pojawiający się znienacka jegomościowie, osobliwe relacje międzyludzkie. W świecie wyobraźni Le Fanu nie ma czasu na nudę. Dla miłośników pióra Edgara Allana Poego czy M.R. Jamesa. Joseph Sheridan Le Fanu (1814-1873) - irlandzki dziennikarz i pisarz, szeroką popularność zdobył jako autor powieści gotyckich i opowiadań grozy. Do jego najsłynniejszych utworów należą "Dom przy cmentarzu", "Zielona herbata" czy "Carmilla". W ostatniej z wymienionych powieści wykreował postać wampirzycy o lesbijskich skłonnościach. Jego przesiąknięte erotyzmem utwory budziły liczne kontrowersje we współczesnych mu czasach wiktoriańskich.

Maud Ruthyn is an heiress who lives with her somber, reclusive father Austin Ruthyn in their mansion at Knowl. Through her father and her worldly, cheerful cousin, Lady Monica Knollys, she gradually learns more regarding her uncle, Silas Ruthyn, a black sheep of the family whom she has never met. Once an infamous rake and gambler, he is now apparently a fervently reformed Christian. His reputation has been tainted by the suspicious suicide of a man to whom Silas owed an enormous gambling debt, which took place within a locked, apparently impenetrable room in Silas's mansion at Bartram-Haugh.

In a Glass Darkly is a collection of five different tales, presented as selections from the posthumous papers of the occult detective Dr. Martin Hesselius. The title is taken from 1 Corinthians 13:12, a deliberate misquotation of the passage which describes humanity as perceiving the world "e;through a glass darkly"e;. "e;Green Tea"e; - An English clergyman named Jennings confides to Hesselius that he is being followed by a demon in the form of an ethereal monkey, invisible to everyone else, which is trying to invade his mind and destroy his life. Hesselius writes letters to a Dutch colleague about the victim's condition, which gets steadily worse with time as the creature steps up its methods, all of which are purely psychological. T"e;The Familiar"e;- A sea captain, living in Dublin, is stalked by "e;The Watcher"e;, a strange dwarf who resembles a person from his past. "e;Mr. Justice Harbottle"e; - A cruel judge in the Court of Common Pleas, Elijah Harbottle, finds himself under attack by vengeful spirits, and in a disturbing dream he is condemned to death by a monstrous doppelgnger. The story is set between 1746 and 1748 "e;The Room in the Dragon Volan"e; - notable mystery story, in 26 chapters, which includes the theme of premature burial. "e;Carmilla"e;- A tale of a lesbian vampire, set in Styria, Austria. This story was to greatly influence Bram Stoker in writing Dracula. Joseph Thomas Sheridan Le Fanu (1814 - 1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James described Le Fanu as "e;absolutely in the first rank as a writer of ghost stories"e;.

Carmilla is an 1872 Gothic novella by Irish author Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871-72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and morally ambiguous. The story is often anthologised, and has been adapted many times in film and other media. Carmilla, the title character, is the original prototype for a legion of female and lesbian vampires. Although Le Fanu portrays his vampire's sexuality with the circumspection that one would expect for his time, lesbian attraction evidently is the main dynamic between Carmilla and the narrator of the story:Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyes she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, and you and I are one for ever." (Carmilla, Chapter 4).When compared to other literary vampires of the 19th century, Carmilla is a similar product of a culture with strict sexual mores and tangible religious fear. While Carmilla selected exclusively female victims, she only becomes emotionally involved with a few. Carmilla had nocturnal habits, but was not confined to the darkness. She had unearthly beauty, and was able to change her form and to pass through solid walls. Her animal alter ego was a monstrous black cat, not a large dog as in Dracula. She did, however, sleep in a coffin. Carmilla works as a Gothic horror story because her victims are portrayed as succumbing to a perverse and unholy temptation that has severe metaphysical consequences for them.Some critics, among them William Veeder, suggest that Carmilla, notably in its outlandish use of narrative frames, was an important influence on Henry James' The Turn of the Screw (1898). Le Fanu's work has been noted as an influence on Bram Stoker's masterwork of the genre, Dracula:Both stories are told in the first person. Dracula expands on the idea of a first person account by creating a series of journal entries and logs of different persons and creating a plausible background story for their having been compiled.Both authors indulge the air of mystery, though Stoker takes it further than Le Fanu by allowing the characters to solve the enigma of the vampire along with the reader.The descriptions of the title character in Carmilla and of Lucy in Dracula are similar. Additionally, both women sleepwalk.Stoker's Dr. Abraham Van Helsing is similar to Le Fanu's vampire expert Baron Vordenburg: both characters investigate and catalyze actions in opposition to the vampire.The symptoms described in Carmilla and Dracula are highly comparable. ... (wikipedia.org)