Bøger af Karen Fang

Two scenes define Tyrus Wong's remarkable 106-year-old life. In the first scene, a small boy in padded Chinese jacket gazes forlorn behind iron bars, torn from his father and detained indefinitely in a desolate U.S. immigration center off the California coast. In the second scene, the boy is a young man, an aspiring artist in sunny Los Angeles whom Walt Disney suddenly promotes to a key role in the making of beloved animated film Bambi. How did the boy become an artist, and what role did that trauma play in the beautiful imagery he later created for Hollywood? How do the two scenes connect to the seventy years after Bambi, when Tyrus worked as a studio sketch artist for Warner Bros., designed best-selling Christmas cards that sold in the millions, and spent a nearly half-century retirement flying his beautifully unique handmade kites on Santa Monica beach? Background Artist: The Life and Work of Tyrus Wong is a kaleidescopic story about the immigrant origins of some of America's best loved visual imagery. A chronicle of art and Asian American experience set against the backdrop of over a century of American history, Background Artist speaks to lovers of art, film, animation, and illustration history, and readers of biography, Asian American, and California studies.

Nineteenth-century periodicals frequently compared themselves to the imperial powers then dissecting the globe, and this interest in imperialism can be seen in the exotic motifs that surfaced in works by such late Romantic authors as John Keats, Charles Lamb, James Hogg, Letitia Landon, and Lord Byron. Karen Fang explores the collaboration of these authors with periodical magazines to show how an interdependent relationship between these visual themes and rhetorical style enabled these authors to model their writing on the imperial project.Fang argues that in the decades after Waterloo late Romantic authors used imperial culture to capitalize on the contemporary explosion of periodical magazines. This proliferation of "e;post-Napoleonic"e; writing-often referencing exotic locales-both revises longstanding notions about literary orientalism and reveals a remarkable synthesis of Romantic idealism with contemporary cultural materialism that heretofore has not been explored. Indeed, in interlocking case studies that span the reach of British conquest, ranging from Greece, China, and Egypt to Italy and Tahiti, Fang challenges a major convention of periodical publication. While periodicals are usually thought to be defined by time, this account of the geographic attention exerted by late Romantic authors shows them to be equally concerned with space.With its exploration of magazines and imperialism as a context for Romantic writing, culture, and aesthetics, this book will appeal not only to scholars of book history and reading cultures but also to those of nineteenth-century British writing and history.