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This book offers a comparative overview of the history, social context, and style of three major West African popular theatre genres: the concert party of Ghana, the concert party of Togo, and the traveling popular theatre of western Nigeria.
From the 1940s to the 1980s, Yoruba popular theatre was one of the most spectacularly successful theatres in Africa. This title recounts the history of the Odin Adejo Theatre Company. It uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular dram is brought to the stage.
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