Bøger af Kate Douglas Smith Wiggin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Froebel's Gifts By Nora Archibald Smith, Kate Douglas Smith Wiggin

Half-A-Dozen Housekeepers is a charming children's book written by Kate Douglas Smith Wiggin and published in 1903. The story follows six young girls who live in a small town and decide to start a housekeeping club. Each chapter focuses on a different girl and her experience with managing her own household chores and responsibilities. The book is filled with delightful anecdotes and witty observations about the challenges and joys of running a household. The girls learn important life skills such as budgeting, cooking, and cleaning, and they also develop strong friendships and a sense of independence. Half-A-Dozen Housekeepers is a timeless classic that teaches valuable lessons about responsibility, teamwork, and the rewards of hard work. It is a must-read for any young girl who wants to learn how to become a capable and confident housekeeper.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

It was Christmas Eve and a Saturday night when Mrs. Larrabee, the Beulah minister's wife, opened the door of the study where her husband was deep in the revision of his next day's sermon, and thrust in her comely head framed in a knitted rigolette. "Luther, I'm going to run down to Letty's. We think the twins are going to have measles; it's the only thing they haven't had, and Letty's spirits are not up to concert pitch. You look like a blessed old prophet to-night, my dear! What's the text?"

Kate Douglas Wiggin (September 28, 1856 - August 24, 1923) was an American educator and author of children's stories, most notably the classic children's novel Rebecca of Sunnybrook Farm. She started the first free kindergarten in San Francisco in 1878 (the Silver Street Free Kindergarten). With her sister during the 1880s, she also established a training school for kindergarten teachers. Kate Wiggin devoted her adult life to the welfare of children in an era when children were commonly thought of as cheap labor. Wiggin went to California to study kindergarten methods. She began to teach in San Francisco with her sister Nora Smith assisting her, and the two were instrumental in the establishment of over 60 kindergartens for the poor in San Francisco and Oakland. She moved from California to New York, and having no kindergarten work on hand, devoted herself to literature. She sent The Story of Patsy and The Bird's Christmas Carol to Houghton, Mifflin & Co. who accepted them at once. Besides the talent for story-telling, she was a musician, sang well, and composed settings for her poems. She was also an excellent elocutionist. Her first literary work was Half a Dozen Housekeepers, a serial story which she sent to St. Nicholas. After the death of her husband in 1889, she returned to California to resume her kindergarten work, serving as the head of a Kindergarten Normal School. Some of her other works included Cathedral Courtship, A Summer in a Canon, Timothy's Quest, The Story Hour, Kindergarten Chimes, Polly Oliver's Problem, and Children's Rights

MARCH had come in like a lion, and showed no sign of going out like a lamb. The pussy willows knew that it was, or ought to be, spring, but although it takes a deal to discourage a New England pussy willow, they shivered in their brown skins and despaired of making their annual appearance even by April Fool's Hay. The swallows still lingered in the South, having received private advices from the snow-birds that State o' Maine weather, in the present season, was only fitted for Arctic explorers. The air was keen and nipping and the wind blew steadily from the north and howled about the chimneys until one hardly knew whether to hug the warmth of the open fire or to go out and battle with the elements. Little did the rosy girls of the Wareham Female Seminary (girls were still "young females" when all this happened)-little did they care about snow and sleet and ice. Studies went on all the better with the afternoon skating and sliding to look forward to.

Along, busy street in San Francisco. Innumerable small shops lined it from north to south; horse cars, always crowded with passengers, hurried to and fro; narrow streets intersected the broader one, these built up with small dwellings, most of them rather neglected by their owners. In the middle distance other narrow streets and alleys where taller houses stood, and the windows, fire escapes, and balconies of these, added great variety to the landscape, as the families housed there kept most of their effects on the outside during the long dry season. Still farther away were the roofs, chimneys and smoke stacks of mammoth buildings-railway sheds, freight depots, power houses and the like-with finally a glimpse of docks and wharves and shipping. This, or at least a considerable section of it, was the kingdom. To the ordinary beholder it might have looked ugly, crowded, sordid, undesirable, but it appeared none of these things to the lucky person who had been invested with some sort of modest authority in its affairs.

Eden Place was a short street running at right angles with Eden Square, a most unattractive and infertile triangle of ground in a most unattractive but respectable quarter of a large city. It was called a square, not so much, probably, because it was triangular in shape, as because it was hardly large enough to be designated as a park. As to its being called 'Eden, ' the origin of that qualifying word is enveloped in mystery; but it is likely that the enthusiastic persons who projected it saw visions and dreamed dreams of green benches under umbrageous trees, of a green wire fence, ever green, and of plots of blossoming flowers filling the grateful air with unaccustomed fragrance

Rebecca of Sunnybrook Farm By Kate Douglas Smith Wiggin

It was the end of May, when "spring goeth all in white." The apple trees were scattering their delicate petals on the ground, dropping them over the stone walls to the roadsides, where in the moist places of the shadows they fell on beds of snowy innocence. Here and there a single tree was tinged with pink, but so faintly, it was as if the white were blushing. Now and then a tiny white butterfly danced in the sun and pearly clouds strayed across the sky in fleecy flocks. Everywhere the grass was of ethereal greenness, a greenness drenched with the pale yellow of spring sunshine. Looking from earth to sky and from blossom to blossom, the little world of the apple orchards, shedding its falling petals like fair-weather snow, seemed made of alabaster and porcelain, ivory and mother-of-pearl, all shimmering on a background of tender green.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Minerva Court! Veil thy face, O Goddess of Wisdom, for never, surely, was thy fair name so ill bestowed as when it was applied to this most dreary place! It was a little less than street, a little more than alley, and its only possible claim to decency came from comparison with the busier thoroughfare out of which it opened. This was so much fouler, with its dirt and noise, its stands of refuse fruit and vegetables, its dingy shops and all the miserable traffic that the place engendered, its rickety doorways blocked with lounging men, its Blowsabellas leaning on the window-sills, that the Court seemed by contrast a most desirable and retired place of residence.

The Birds' Christmas Carol By Kate Douglas Smith Wiggin

It stood on the gentle slope of a hill, the old gray house, with its weather-beaten clapboards and its roof of ragged shingles. It was in the very lap of the road, so that the stage-driver could almost knock on the window pane without getting down from his seat, on those rare occasions when he brought "old Mis' Bascom" a parcel from Saco. Humble and dilapidated as it was, it was almost beautiful in the springtime, when the dandelion-dotted turf grew close to the great stone steps; or in the summer, when the famous Bascom elm cast its graceful shadow over the front door. The elm, indeed, was the only object that ever did cast its shadow there. Lucinda Bascom said her "front door 'n' entry never hed ben used except for fun'rals, 'n' she was goin' to keep it nice for that purpose, 'n' not get it all tracked up."

We are doing the English cathedral towns, aunt Celia and I. Aunt Celia has an intense desire to improve my mind. Papa told her, when we were leaving Cedarhurst, that he wouldn't for the world have it too much improved, and aunt Celia remarked that, so far as she could judge, there was no immediate danger; with which exchange of hostilities they parted.

"I DON' know as I cal'lated to be the makin' of any child," Miranda had said as she folded Aurelia's letter and laid it in the light-stand drawer. "I s'posed of course Aurelia would send us the one we asked for, but it's just like her to palm off that wild young one on somebody else."

It was nine o'clock one sunny California morning, and Geoffrey Strong stood under the live-oak trees in Las Flores Cañon, with a pot of black paint in one hand and a huge brush in the other. He could have handled these implements to better purpose and with better grace had not his arms been firmly held by three laughing girls, who pulled not wisely, but too well. He was further incommoded by the presence of a small urchin who lay on the dusty ground beneath his feet, fastening an upward clutch on the legs of his trousers.

"By and by there came along a flock of petrels, who are Mother Carey's own chickens.... They flitted along like a flock of swallows, hopping and skipping from wave to wave, lifting their little feet behind them so daintily that Tom fell in love with them at once." Nancy stopped reading and laid down the copy of "Water Babies" on the sitting-room table. "No more just now, Peter-bird," she said; "I hear mother coming." It was a cold, dreary day in late October, with an east wind and a chill of early winter in the air. The cab stood in front of Captain Carey's house, with a trunk beside the driver and a general air of expectancy on the part of neighbors at the opposite windows. Mrs. Carey came down the front stairway followed by Gilbert and Kathleen; Gilbert with his mother's small bag and travelling cloak, Kathleen with her umbrella; while little Peter flew to the foot of the stairs with a small box of sandwiches pressed to his bosom.

A Child's Journey With Dickens is a memoir written by Kate Douglas Smith Wiggin, published in 1912. The book chronicles Wiggin's experiences as a young girl attending a reading by the famous author Charles Dickens. Wiggin describes the event in great detail, from the excitement leading up to it to the emotions she felt during and after the reading. The book also includes a brief biography of Dickens and his impact on literature. Throughout the memoir, Wiggin reflects on the influence that Dickens had on her own writing and on the world of literature as a whole. The book is a charming and insightful look at the life and work of one of the most beloved authors of all time, as seen through the eyes of a young fan.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.