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Includes volumes 9-14 of the series Powdered Milk Ignatz award for Outstanding Series in 2016 Publisher's Weekly - "Roberts shares her life as a mother living with a young child just learning to push boundaries in this collection of her Ignatz Award-nominated Powdered Milk minicomics. With this strong entry in the autobiographical comic genre, Roberts is unafraid to show herself looking bad, such as when she's frustrated when her daughter, Xia, calls her-only to find out it's to say "I love you." In the comic's best pages, Roberts and Xia struggle with toilet training ("That already happened," Xia beams when she is warned to keep her butt out of the bowl), and Xia abuses her swearing privileges. The linework on the characters is detailed while retaining a sketchiness for backgrounds that makes the figures feel raw, rather than polished. The simple, direct art makes for an intimate, personal journey through Roberts's life as a mother and creator." Alex Hoffman, Sequential State, 5 June, 2015 - "Roberts' comics primarily explore her relationship with her daughter Xia and husband Scott, as well as her interactions with friends and extended family. These are classic slice-of-life comics, and Roberts uses sometimes panels, sometimes full pages to capture the essence of certain moments. Xia is growing up and learning about the world around her, and the strange internal logic of toddlers gives Miseryland much of its charm. Slice-of-life comics can often be cute or endearing, but Miseryland is funny, laugh out loud funny, mostly due to the inanities and bad behaviors of its youngest cast member and Roberts' deadpan reactions. Importantly, Roberts isn't writing a "kids say the darndest things" comic; as panels and pages fall into place throughout Miseryland, these small stories paint a picture of Roberts as a melancholy, anxious mother living with bipolar disorder and trying to find the best way to raise her daughter. Xia is oftentimes the access point to these feelings, pointing out the hidden in ways that make it seem obvious. Miseryland isn't a tell all, either - even when things like Roberts miscarriage come up, the stories told are more a remembering than an exposure. We find Roberts at high and low points throughout the book, and while these moments coalesce into a larger vision, Miseryland has time to explore the way creative processes and personal time are changed after you have children. Some of these comics are certainly a part of the book because Xia wasn't napping when Roberts was drawing, just as some are there to illustrate Roberts fears and frustrations." printed with the assistance of Koyama Press
"Intelligent, poignant, hilarious, and awesome. Keiler Roberts' comic, Powdered Milk takes an honest look into the world of pregnancy, parenting, postpartum depression and all the living that goes on in-between those things. . .Certainly one of the best new comics I've read in a long time, I'd recommend it to anyone who's been pregnant or cared for a baby." - Gwen Lewis, Hip Mama Zine
This is a revised edition of the book that was previously titled: Powdered Milk vol.6 "In an era where personal lives are meticulously curated and presented, Keiler Roberts' unflinching and intimate comics reveal real life to be as absurd as it is profound. In a sequence of vignettes, Roberts delineates the complicated life of a mother and artist that can be comical, melancholic and delightful." - Koyama Press
A laugh out loud funny parable for the digital ageThere once was a lady who was very creepy. She moved about the world in seemingly normal ways, except for one tremendously bizarre tic. First she sought out kids transfixed by their screens, staring blindly and blank-faced at nearly any device, and then she would snatch something precious from them.In this picture book for grown-ups, sibling duo Keiler Roberts and Lee Sensenbrenner render a compelling-and downright creepy-modern fable about kids who are hooked on their digital devices. Creepy is the contemporary answer to the shocking tales of the Brothers Grimm and bedtime moral stories like the boy who cried wolf or the princess and the pea: in it, Roberts and Sensenbrenner provide a shrewd and comical commentary on the increasing digitization of childhood. Known for her award-winning autobiographical comics, Roberts's signature deadpan humor is on full display in these vibrantly painted pages.It's safe to say that no one tackles the peril of screen time as vividly or absurdly as this pair.
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