Bøger af Kimiko Hahn

Opening with forty-three new formally inventive poems and leading the reader back in time through selections from her ten previous volumes, The Ghost Forest offers a contemplative and haunting narrative of a writer's artistic journey through craft and form while illuminating personal themes influenced by her Japanese American heritage. Exploring the mysteries of science, nature, and the experiences of contemporary womanhood, Hahn both reinvents classic Japanese forms such as the zuihitsu and tanka and experiments with traditional Western ones, among them the villanelle, sestina, and glosa. Braided into the poems and narrative thread, a series of photos transforms the new-and-selected into a hybrid autobiography. Like the titular forest, this arresting collection derives new beauty from long-gone remnants.From "The Ashes":Mother crafted Christmas ornaments:glue and glitter and red balls.No tinsel, no angels.Her death started in the living room.

A unique anthology of poems from around the world and through the ages that celebrate magic and magiciansNo matter how modern or scientifically advanced our societies become, human beings remain perpetually enthralled by the idea of magic, from our daily superstitions to our choices of entertainment. Magic has long been a central subject of poetry, and the poems in this collection are evocative evidence that the poet’s art depends on a form of wizardry—the ability to conjure enchantment from a particular combination of words.Venerable literary wizards such as Shakespeare's Prospero, Tennyson's Merlin, and T. S. Eliot's Mr. Mistoffelees make appearances here alongside illusionists and prestidigitators in Kay Ryan's "Houdini," Ted Kooser's "Card Trick," Charles Simic's "My Magician," and Richard Wilbur's "The Mind-Reader." Here is a treasury of poetic spells, charms, and incantations, from Elise Paschen's "Love Spell," Robert Graves's "Love and Black Magic," and Lu Yu's "The Pedlar of Spells," to a Cherokee "Spell to Destroy Life." And here, too, are all sorts of sorcerers, conjurers, enchantresses, and witches, as captured in Emily Dickinson's "Best Witchcraft is Geometry," Michael Schmidt's "Nine Witches," and H. D.'s "Circe," keeping company with magical poems from cultures around the world.  Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.

A unique anthology of poems--from around the world and through the ages--that celebrate the gloriously diverse insect world.Given that insects vastly outnumber us, it is no surprise that many cultures have long and rich traditions of verse about our tiny fellow creatures. Tang dynasty poets in China and the haiku masters of Japan composed thousands of works in praise of crickets, grasshoppers, cicadas, moths, and butterflies, as well as such humbler bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back to the ancient Greeks and appear frequently in Europe from the Elizabethan period onward. The brilliant poets collected here range far and wide in time and place, including Tu Fu, John Donne, Kobayashi Issa, William Wordsworth, Victor Hugo, Ivan Turgenev, Emily Dickinson, Christina Rossetti, Robert Frost, E. E. Cummings, Elizabeth Bishop, Ted Hughes, Pablo Neruda, Mary Oliver, Xi Chuan, and Kevin Young. Bees, butterflies, and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybugs and glowworms-the miniature beings that adorn these pages are as varied as the poetic talents that celebrate them.

Kimiko Hahn trains her eye on the commonplace-clothespins, bees, papaya, a sponge, fire-revealing their essence with evocative concision.

From Kimiko Hahn, the celebrated poet of Earshot, The Unbearable Heart is a superbly composed and passionate book on grief and mourning. The poems are both formally innovative and openly cathartic, individually and collectively compelling, turning on their own axis as they revolve around one another. They span languages, landscapes cultures and perspectives. In The Unbearable Heart, Hahn examines the everchanging meaning of surviving the death of a loved one. This collection is a palpable moving mediation on life, death and their aftermath.

Rooted in traditional Japanese aesthetics and meditations on contemporary neuroscience, a stunning new volume from an essential American poet.

A striking, shapeshifting volume from "one of the most fascinating female poets of our time (BOMB)."