Bøger af Larne Abse Gogarty

On the aesthetic and intellectual affinities between recent art and conspiracy. Written in the wake of the far-right populist turn in Europe, the US, and beyond, What We Do Is Secret addresses aesthetic and intellectual affinities between recent art and conspiracy, proposing a theory of conspiracy that is not primarily concerned with conspiracy theory. This inquiry takes shape across chapters on the politics of post-internet art aesthetics; the sublime and possessive individualism in recent "critical" art; Cady Noland's security fences, and silkscreens of the Symbionese Liberation Army; and mutuality, secrecy, and improvisation in the work of Ima-Abasi Okon. Larne Abse Gogarty discusses the relationship between culture and contemporary politics, following on from David Lloyd's proposition that through its compensatory qualities, the aesthetic sphere naturalizes forms of life lived under the rule of property. What kind of art can work against this? Can art exist as a conspiracy capable of corroding that rule?

Usable Pasts zeros in on two periods in the United States that saw the state increase its financial support for socially engaged works of culture. In the 1990s the political artworks by Suzanne lacy, Rick Lowe, and Martha Rosler helped usher in an era of social practice art, while in the 1930s saw the creation of the leftist Cultural Front and its proliferation of experiential theatre, modern dance, and photography. By analyzing these trends and their relationship to one another this book unpicks the mythic and material afterlives of the New Deal in American cultural politics, and in so doing writes a new history of social practice art in the United States. From teenage mothers organising exhibitions that challenged welfare reform, to communist dance troupes choreographing their struggles as domestic workers, Usable Pasts addresses the aesthetics and politics of these attempts to transform society through art in relation to questions of state formation.