Bøger af Lindsey Drager

At once an ode to birds, an elegy to space, and a journey into the most haunted and uncanny corners of the human mind, The Avian Hourglass showcases Lindsey Drager’s signature brilliance in a stunning, surrealist novel for fans of Jesse Ball, Helen Oyeyemi, Yoko Ogawa, and Shirley JacksonThe birds have disappeared. The stars are no longer visible. The Crisis is growing worse. In a town as isolated as a snowglobe, a woman who dreams of becoming a radio astronomer struggles to raise the triplets she gave birth to as a gestational surrogate, whose parents were killed in a car accident. Surrounded by characters who wear wings, memorize etymologies, and build gigantic bird nests, and bound to this town in which young adults must decide between two binary worldviews—either YES or NO—the woman is haunted by the old fable of the Girl in Glass Vessel, a cautionary tale about prying back the façade of one’s world.When events begin to unfold that suggest a local legend about the town being the whole of the universe might be true, the woman finds her understanding of her own life–and her reality–slipping through her fingers.A reflection on the intersecting crises of mental health, the climate emergency, political polarization, and the exponentially growing reliance on technology, The Avian Hourglass culminates in a figurative and literal twist that asks readers to reframe how they conceive of a series of concentric understandings of home: the globe, one’s country, one’s town, one’s family, and one’s own body.

The Sorrow Proper is a novel-length investigation of the anxiety that accompanies change. A group of aging librarians must decide whether to fight or flee from the end of print and the rise of electronic publications, while the parents of the young girl who died in front of the library struggle with their role in her loss. Anchored by the transposed stories of a photographer and his deaf mathematician lover each mourning the other's death, The Sorrow Proper attempts to illustrate how humans of all relationslovers, parents, colleaguescope with and challenge social "e;progress,"e; a mechanism that requires we ignore, and ultimately forget, the residual in order to make room for the new, to tell a story that resists "e;The End."e;This debut novel explores the hypothetical end of the public library system and a young theory in the hard sciences called Many Worlds, a branch of quantum mechanics that strives to prove mathematically that our lives do not follow a singular, linear path.Lindsey Drager's prose has appeared most recently in Web Conjunctions, Gulf Coast, West Branch Wired, Black Warrior Review, Cream City Review, Quarterly West, Kenyon Review Online, and elsewhere. A Michigan native, she is a PhD candidate at the University of Denver where she edits the Denver Quarterly.