Bøger af Lorna Sage

Innovative, startlingly perceptive and aglow with colour, these fifteen stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel', and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'. 'All that I write,' Mansfield said, 'all that I am - is on the borders of the sea. It is a kind of playing.'

Although much of Carter's work is considered part of the contemporary canon, its true strangeness is still only partially understood. Lorna Sage argues that one key to a better understanding of Carter's writings is the extraordinary intelligence with which she read the cultural signs of our times. From structuralism and the study of folk tales in the 1960s to fairy stories, gender politics and the theoretical 'pleasure of the text', which she makes so real in her writing. Carter legitimised the life of fantasy and celebrated the fertility of the female imagination more than any other writer.

?The bad blood had missed a generation. You're just like your grandfather, my mother said.?Blood trickles down through every generation, seeps into every marriage. An international bestseller and winner of the Whitbread Biography Award, Bad Blood is a tragicomic memoir of one woman's escape from a claustrophobic childhood in post?World War II Britain and the story of three generations of a family?its triumphs and its darkest secrets.With wit and a dose of self-deprecating humor, Sage's prose brings to life in vivid detail a period?the 1940s and 1950s?that continues to influence and shape society in the twenty-first century. As a portrait of a family and a young girl's place in it, Bad Blood is unsurpassed.

A sparkling collection of journalism from the critically acclaimed author of BAD BLOOD and MOMENTS OF TRUTH.

The novel was once upon a time the genre women felt at home in. This wide- ranging and detailed study of contemporary novelists explores the forms of nostalgia (shared by many feminist critics) for a 'woman's novel'; and a celebration of the energies that are undoing our definitions of women's work.

From a childhood of gothic proportions in a vicarage on the Welsh borders, through adolescence, leaving herself teetering on the brink of the 1960's, Lorna Sage vividly and wittily brings to life a vanished time and place and illuminates the lives of three generations of women. Lorna Sage's memoir of childhood and adolescence is a brilliantly written bravura piece of work, which vividly and wickedly brings to life her eccentric family and somewhat bizarre upbringing in the small town of Hanmer, on the border between Wales and Shropshire. The period as well as the place is evoked with crystal clarity: from the 1940s, dominated for Lorna by her dissolute but charismatic vicar grandfather, through the 1950s, where the invention of fish fingers revolutionised the lives of housewives like Lorna's mother, to the brink of the 1960s, where the community was shocked by Lorna's pregnancy at 16, an event which her grandmother blamed on 'the fiendish invention of sex'. Bad Blood is often extremely funny, and is at the same time a deeply intelligent insight by a unique literary stylist into the effect on three generations of women of their environment and their relationships.

*This distinguished volume of essays commemorates the work of Angela Carter. With a new introduction by Ali Smith